HDR Photography
Hiking in the hills of Picchetti Ranch in Cupertino, views over Stevens Creek Reservoir and the Bay beyond present a classic Californian landscape. Like a postcard from the mid-twentieth century, the little shape of a kayaking fisherman in the foreground (or the people fishing at the shoreline in the background) shows an ideal Saturday afternoon.
With the passing of the Solstice, my sabbatical in Berkeley is coming to an end. My softly nostalgia-tinted reminiscences of the Bay Area are now doubly-glazed: the refried beans, twice-baked potatoes, or biscotti of memory. All three options sound delicious.
This image resulted from the process of demonstrating color filters to my coworker. Colors, with black and white? Of course! The rich, dark sky and bright foreground in this picture result from (digitally) applying a red filter. My favorite part of that now-visible foreground is the large Chevrolet pickup, shoehorned into a parking space on a narrow San Francisco street.
In the sprawl of the greater Bay Area, with its networks of highway, rail, and water connecting major nodes, UC Berkeley remains a special location. The campus represents its own phase with boundaries where order parameters shift.
Assembled by the same volcanic activity, California’s Mt. Shasta (left) and Black Butte (right) make for charming mirror-world contrasts of each other, like The Magician’s Ember and Umber.
Driving from San Francisco to Portland means passing Mt. Shasta. With the exposure shortened, the array of textures and shadows on the mountain’s snowy surface are revealed.
This seems like the time to post images of moored sailboats. Sunset at the Corinthian Yacht Club means, near the solstice, that the sailors are quieting down for the night.
New construction continues across San Francisco; from my perch across the Bay, I continue to watch the city evolve.
The Bay Area features a surprisingly large number of preserved open spaces. The lone figure on the hillside, looking from the relative emptiness of the Marin Headlands across to the grid of San Francisco residences, emphasizes the point well.
Commencement ceremonies have ended and the campus is quieting down to a mostly graduate-student-based buzz. The Campanile stands tall and mostly quiet—except, of course, for when the bells are ringing.
That skyline is recognizable, even shrouded behind 200 mm f/2.8 bokeh. Though many people in the Berkeley Hills watched this scene, and though I wasn’t the only one with a camera, the unique light-twisting effect of bokeh means that I’m the only one who captured this pattern and this moment. My favorite details are the individual pieces of grass, bright and sharp against the softness of the Emeryville background.
North of Berkeley, on Grizzly Peak, mid-century modern homes block most the sunset views. I imagine great sheets of glass and tastefully appointed balconies on the other side, but the street-facing side offers mostly abbreviated driveways and garage doors. When I can peak through, though, the gardens of white flowers give way to views above the trees to Richmond and the North Bay.
Bay Area sunsets shift to the north in summer, where they’re best seen from the houses of the Berkeley Hills. There’s something delightfully Californian about a German sports car parked in front of a mid-century modern home on a ridiculously-graded road.
Our 11-year-old car just passed the 200,000-mile mark on the odometer. It’s been with us for multiple transcontinental drives and a lot of smaller road-trips in between. This is our unicorn: a combination of manual transmission, smooth straight-six engine, all-wheel drive, and cavernous station wagon that’s simply no longer available from any manufacturer. What will we do when this car is ready for retirement? That’s a tough question.
The American West appears in the hills beyond Malibu, California: Small communities connected by winding roads in the shadow of Castro Crest. Visiting Balmoral Farm nearby, I compared (in my mind) with Scotland’s Balmoral Castle and was struck by the degree to which America (mostly) has titanic landscapes in place of castles. What is the attraction to tall formations of stone, and does that change when they’re human-made?
(Side note: I like that this looks like a picture from the past, but I love even more than the effect is ruined by a house with solar panels on its roof. Can you find it? Click through to the Flickr page for the 57 MP original panorama.)
Decaseconds 