While my normal images capturing the “civilization gradient” tend to be more focused on space (traversing from nature to dense urban areas), I sort of like the way this image reminds me of a traversal through time, from the Stone Age to the Information Age. As William Gibson says, “The future has already arrived—it’s just not very evenly distributed.”
Or perhaps it really just reminds me of the vantage point from Caspar David Friedrich’s “Wanderer above the Sea of Fog“.
Far beyond the glowing web of Bay Area streets, the verdant Berkeley Hills are curving and waving and tossing in the wind.
This image is another in a series of my re-processings of less-than-new RAW files with Photoshop’s “Super Resolution” machine learning algorithm. As in those other cases, the added impression of detail is particularly astonishing when viewed at full size after clicking through to the original image on Flickr.
When the Bay Area feels so dense and overwhelming with information, people, and ideas, a drive up to Grizzly Peak is an escape.
Going back over some of my favorite images with “Super Resolution,” there’s no way I was going to skip a second shot at my image that first captured the “civilization gradient” from nature through suburbs to dense urbanity.
More adventures with Photoshop’s new “Super Resolution” machine learning algorithm, which quadruples the resolution of a processed image: a view of Berkeley and San Francisco from Grizzly Peak.
Extracting additional information from an image by “enhancing” it has long been a ridiculous trope of police procedurals; it’s with great amusement that I noticed that Photoshop’s new “Super Resolution” capability (which uses machine learning to quadruple the resolution of an image) is under an option called “Enhance”. The first subject for enhancement was this picture I took of Berkeley and San Francisco in 2011. It’s worth the click-through for the full resolution version.
(Adding to the super-resolution theme, this image also contains, in the lower-center, the Molecular Foundry and its associated center for electron microscopy.)
Views like this one, capturing the marine layer rolling across the San Francisco Bay towards the Port of Oakland, are the kind that first attracted me to photography. I took this picture nearly four years ago, during my sabbatical to the Bay Area, when I was still shooting with my Nikon D7000 (already antiquated tech in 2017); I can’t want to be able to safely revisit Berkeley’s Grizzly Peak to capture more cityscapes with my new Sony a7R IV.
My favorite view of the Bay Area (and the view that first let me define the idea of the civilization gradient as an element of my photography) is layered up with loads of detail. Down in Berkeley Lab is the building where I worked on sabbatical, and across the Bay Bridge is the completed Salesforce Tower hiding in the marine layer. The differences, particularly from the last time I showed a very similar shot from the spring, are in nature: the high-altitude clouds have been replaced with empty skies and that rolling marine layer, while the green hills have shifted to a dry, highly flammable tan.
Two of my past St. Lawrence University students are working on their Ph.D.s at Berkeley and I discovered yesterday that one was giving her Graduate Research Conference (Berkeley’s version of a thesis defense, but earlier) while the other was in the audience. I’m very proud of both of them.
Understandably, this had me thinking about my experiences at Berkeley. In this picture from Grizzly Peak, the perspective folds together Oakland, San Francisco, and Berkeley. In the foreground, look at those gnarled trees—they’re weird but they’ve grown tall. I’ll take that visual metaphor for the grad school experience. I took this picture on Christmas Day in 2016, so I guess that makes these Christmas trees, too.
I took this picture two years ago, during a wonderful springtime in Berkeley when a rainy winter had made the hills lush and green. The view is enormous, overwhelming: Oakland, San Francisco, Emeryville, and Berkeley all packed into one. I like the contrast of the tiny path on the green hilltop on the left side of the image providing a quiet contrast.
Watching the summer sunset behind Oakland, San Francisco, Berkeley, and Marin is the perfect setting for a dinner picnic. This weekend is Memorial Day: the unofficial start of summer in much of the United States and the perfect time (i.e. time off) for picnics and barbecuing. Though this picture came from another big barbecuing holiday (Independence Day), the scene is likely to be replicated this weekend.
The Oakland skyline looks warm and friendly on a clear night in the summer, but I have to suspect that a quick blast of marine layer might be just around the corner to shift that thermal distribution.
Am I trying my hand at some sort of hipster chillwave/yacht rock album cover? No, just displaying my excitement to read Never Use Futura.
Cityscapes function best with depth: layers of structures and pathways for the eye. The Bay Area view from Grizzly Peak was one of the earliest cityscapes I experimented with photographing. In those early times, it was Berkeley and San Francisco in the distance that most interested me; after my sabbatical at Berkeley Lab, the winding roads where I rode the bus to work and the bright shapes of the Molecular Foundry and JCAP in the foreground hold my interest far more. I enjoy the way in which subsequent experiences can retroactively shift the meaning in an image.