HDR Photography
A perfect late-summer morning at Mohonk Mountain House holds the promise of a day spent outside. While this image may be a sequel to last week’s post, I think this other angle reveals a far different view of the possibilities a day can hold when experiencing vacation.
Mohonk Mountain House remains a place nestled into both the rocks of the Shawangunk Mountains and a pre-digital era. Nonetheless, delightful new traditions manage to merge into the setting. Breakfast in the open air of the expansive front porch came about during the Covid era but has remained—a just delightful way to start the day.
This image also further exhibits the trend I explored in another recent image, showing both a view and a space for the viewer.
This photograph places into contrast the way humans made linear forms and nature exists beyond those patterned limits. Not only do the sloping hillsides contrast with the columns, but even the shadows cast by the Sun take orthogonal shapes and skew them to other angles.
A quiet early morning at Mohonk Mountain House’s dock has a place for every boat and every boat in its place. I like the way the path of the dock mirrors the path of the mountaintop in the distance. This calm-before-a-busy-day setting is also a metaphor for Decaseconds: I finished processing all of my pictures from a trip to Mohonk at the end of last summer. Like the boats, my work is organized and ready to be shared.
The quiet moments of winter are the times when I look back on my photographic year and finally finish uploading my favorites. The rhythms of 2022 meant a particularly huge backlog, so here I find myself with far too deep a set of uploads to handle at a pace of one-per-day. As a result, I’ll be spacing some horse show mega-posts among my normal posts.
First in the set is Saratoga Horse Show, back in June 2022.
I upload pictures to be future Decaseconds posts as I find images I think are worthy. (Only the best for my readers.) During most of the year, a three-photographs-per-week pace keeps up with my new acquisitions. This fall, however, was a time of plenty, powered by my DJI Mini 3 Pro’s incredible range and low-light image quality. To keep up with demand necessitates a triple-play today.
Three views of Canton, New York begin with this image over the Grasse River, with islands in the foreground and SUNY Canton in the distance.
Farther south, St. Lawrence University’s campus is lit up for the evening.
And the quad by Kirk Douglas Hall looks warm and inviting. (It’s currently beneath a layer snow.)
Canton is the seat of St. Lawrence County. The multistory stone buildings amongst the sea of single-family homes that out here because they (and the church steeples) are the only structures tall enough to catch the remaining red light of sunset.
Sustainable farming has found a home in New York’s North Country.
Today’s image comes from along the same trajectory as my Cantonhenge shot, but farther down the path of Route 11. In the foreground, parks, businesses, and homes cluster around the center of Canton, New York.
When winter arrives, the last of the garden needs to be harvested and wood needs to be stacked.
Deep reds and purples stretch across campus at sunset. My favorite time to capture with my drone is the moment between when campus’s lights come on and the sun finishes setting—that time in which the two sources of illumination are dueling.
The topology of a town, the shapes of its roads and the storefronts that citizens navigate each day, shifts from quotidian reality when bathed in sunset light and seen from several hundred feet up.
A North Country homestead demonstrates clearly the shifts in seasons.
Autumn went by quickly this year; the thermodynamic realities outside my door make clear that the adaptations of the North Country trees aren’t coming any too soon.
Decaseconds 