Night falls and the well-watered communities give way to desert landscapes on the outskirts of Coachella Valley.
My favorite William Gibson quote is, “The future is already here—it’s just not very evenly distributed.” How we gauge futurity—or how we identify the traits we associate with future-ness—means that some places will have more “future” to them than others. A mountaintop in the Adirondacks might be pretty similar to its condition 100 years ago, while downtown Berkeley would be unrecognizable.
This image is a picture of the past, from the “future”: I wanted to print a tall, vertical image of Berkeley and the Bay but had (it turns out) never quite taken the one I wanted. I had taken the two pictures that went into making this image as part of a larger panorama in 2013 that never quite came out. Here in the present, I pulled in every technique in my arsenal—Adobe’s super resolution, Topaz AI noise reduction, frequency separation—to assemble two images from a circa-2010 16 MP Nikon D7000 into the 76 MP monster you see below. This one is definitely worth clicking through to full resolution.
This image is another in a series of my re-processings of less-than-new RAW files with Photoshop’s “Super Resolution” machine learning algorithm. As in those other cases, the added impression of detail is particularly astonishing when viewed at full size after clicking through to the original image on Flickr.
Going back over some of my favorite images with “Super Resolution,” there’s no way I was going to skip a second shot at my image that first captured the “civilization gradient” from nature through suburbs to dense urbanity.
Seen here from the One World Observatory on a sunny Sunday morning, Governors Island has been mostly transformed to park space. On the right side of the island, you can see the Longines Global Champions Tour grounds are still in place from the day before.
Views like this one, capturing the marine layer rolling across the San Francisco Bay towards the Port of Oakland, are the kind that first attracted me to photography. I took this picture nearly four years ago, during my sabbatical to the Bay Area, when I was still shooting with my Nikon D7000 (already antiquated tech in 2017); I can’t want to be able to safely revisit Berkeley’s Grizzly Peak to capture more cityscapes with my new Sony a7R IV.
The castle is the other way! Of course, this sightseer is aiming in just the right direction to see the Dancing House upriver.