Both Sides of the Bay Bridge

The marine layer rolls in to blanket San Francisco in damp cold during summer evenings. My favorite part of this image is the way the Bay Bridge and the bayside buildings are highlighted by that rolling cloud bank. In just a few minutes more, the whole city was covered.

Both Sides of the Bay Bridge

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Peak View

Cityscapes function best with depth: layers of structures and pathways for the eye. The Bay Area view from Grizzly Peak was one of the earliest cityscapes I experimented with photographing. In those early times, it was Berkeley and San Francisco in the distance that most interested me; after my sabbatical at Berkeley Lab, the winding roads where I rode the bus to work and the bright shapes of the Molecular Foundry and JCAP in the foreground hold my interest far more. I enjoy the way in which subsequent experiences can retroactively shift the meaning in an image.

Peak View

The Last Time I Saw The City

Though photographing San Francisco became an everyday occurrence during my time on sabbatical at Berkeley Lab, I knew even then that it wouldn’t last. Back in New York, the trivial has again become (practically) impossible. This is the last picture that I took, just before I left California on another transcontinental drive.

The Last Time I Saw The City

Edge of the Orbital

The (distorted) ring of the Bay Area, with “impassable” hills along the edge and “empty” water in the middle, reminds me of the ring-shaped space stations of science fiction. The strangeness of the Bay only adds to the perception of visiting an alien planet.

Edge of the Orbital

Marine Layer II: Revenge of Marine Layer

I produce a lot of photographs every year, but there’s still a special feeling when one of those images moves a friend or acquaintance so much that they ask for a print. This particular image, fully cleaned-up and pixel-peeped to optimizing for printing (after starting life on Instagram) is one such example. I have to admit, the sinuous curves of the marine layer snaking through the Golden Gate, and the shadows beneath the clouds providing additional contrast, are a solid image.

Marine Layer II: Revenge of the Marine Layer