For the most photographed bridge in the world, I’m always humbled to remember that the Golden Gate Bridge didn’t even exist 100 years ago. Seeing it now, in the bracket of Alcatraz and Marin, I think I understand better why it’s Roman Mars‘s favorite piece of design in the Bay Area.
I never went to summer camp as a child, but I have to imagine that the experience was a bit like sabbatical in the Bay Area: Warm days spent on rewarding activities in a beautiful place.
California summer: Blue skies (no clouds), dry grass.
California winter: Complicated skies (crazy clouds), lush grass.
Looking across the verdant hills of Berkeley Lab to San Francisco, it’s not hard to see why I prefer the winter months in California.
Two structures (ship and bridge) designed to cross water, though over very different length scales. The two-centuries-old advances in metallurgy that allow for steel production at this huge scale still amazes me.
Alcatraz remains an icon of twentieth-century America. With a 500 mm lens and a view from Berkeley Lab, I was able to arrange the island with Golden Gate Bridge behind it (but not overlapping).
This is also part of my ongoing experiments, of late, trying postprocessing techniques that produce dramatic (if a bit less photorealistic) results.
Back in New York, my memories of sabbatical in California have already taken on the golden nostalgia hues of the past. If not for the photographic evidence to the contrary, I might wonder if I’d dreamed the whole thing.