Do you see the lone person, sitting on the hillside, on the right side of this image? People provide scale, but also something more in this context. In addition to watching the literal gradient of the sky at sunset, this picture is part of a set of images of the “civilization gradient” from wilderness to dense city center. I quite like the added layer of a gradient from the individual in nature to the greater mass of humanity in cities. Traveling between rural New York and the crowded Bay Area has made me more aware than ever of the contrast.
I imagine the Bay Area like an elementary-school art project bowl, a bit lump and uneven but mostly ringed with hills. And like a proud child filling their handmade bowl with mounds of cereal and milk, there are lumps and liquid in the middle. If I strain the simile to the limit, both the bowl and the Bay are home of delicious foodstuffs. Rushing to the crest of Berkeley’s Grizzly Peak after a rich dinner, I can see the whole bowl. (And avoid the skunk sneaking up on us in the tall grass.)
San Francisco street scenes featuring motorcycles parked provocatively outside bars and cafés have become a recent focus of mine. Blues and reds in bright Sunday sunshine are enticing.
I spent this week BARTing back and forth from downtown San Francisco to “downtown” Berkeley for the American Chemical Society’s National Meeting. Bouncing between the familiar and the strange, all tinged with a general sense of familiarity, gave me a sense of dislocation, like an atom in slightly the wrong place in a crystal structure. Beyond meeting scientists and seeing old friends, I can think of one exciting new discovery this week: the new seat fabric on the BART is an enormous improvement over the horrifying cloth of yesteryear.
Striking modern architecture next to industrialization-era brick and ironwork makes for a dramatic combination. It’s also the bedrock style of my favorite cities, including New York and San Francisco. In this particular image, the sport bike and the small group enjoying breakfast at front add the perfect hint of scale.
The orange hue and misty hills remind me of the poster for Apocalypse Now, but this is just the northern end of San Francisco Bay. In this age of upward-climbing property values and Silicon Valley rags-to-riches stories, I’m continually amazed that there’s room for industry. If these facilities had to be started today, I can’t imagine that they’d wind up in the same position.