University Avenue connects downtown Berkeley with the Interstate. The growth of the city hasn’t been matched by the growth of the road; every year, the avenue transitions further to its (possible) future as a glowing vein of gridlock across the East Bay.
Though St. Lawrence has its share of modern buildings (including my own), it’s the old part of campus (buildings like Piskor and Sykes Halls) that best captures the Harry Potter vibe of small liberal arts colleges in the Northeast.
This image resulted from the process of demonstrating color filters to my coworker. Colors, with black and white? Of course! The rich, dark sky and bright foreground in this picture result from (digitally) applying a red filter. My favorite part of that now-visible foreground is the large Chevrolet pickup, shoehorned into a parking space on a narrow San Francisco street.
San Francisco street scenes featuring motorcycles parked provocatively outside bars and cafés have become a recent focus of mine. Blues and reds in bright Sunday sunshine are enticing.
Striking modern architecture next to industrialization-era brick and ironwork makes for a dramatic combination. It’s also the bedrock style of my favorite cities, including New York and San Francisco. In this particular image, the sport bike and the small group enjoying breakfast at front add the perfect hint of scale.
Berkeley’s seasons are a weird, fractured, microcrystalline version of their East Coast equivalents. There’s a nice congruence between the variable season a given tree might be experiencing and the variable model year any street-parked vehicle might be representing. Having autumn foliage gently localized around this classic (if oxidized) VW Microbus makes for a delightful combination.