The slow disappearance of the Salton Sea has moved dramatic art pieces, like this tetrahedron that once rose mysteriously from the water, onto a broad expanse of beach where some of their magic evaporates with the sea.
HDR Photography
The slow disappearance of the Salton Sea has moved dramatic art pieces, like this tetrahedron that once rose mysteriously from the water, onto a broad expanse of beach where some of their magic evaporates with the sea.
When I added the “Ω” to the title of this image, I imagined endings across multiple dimensions of time: Certainly, a sunset is the end of a day, but I was also thinking on the longer scale of how the slow march of evaporation and desert climate are continuously shrinking the Salton Sea. In a more personal sense, this was likely to be my last visit to the Sea—at least in anything like its current state. All of those combined finalities made this one worthy of being the omega.
Monday’s post brought me back to the epic imagery of the Bay Area that I suspect I took a bit for granted back when we were starting Decaseconds in 2011. Convincing oneself that one is a photographer is easy when these are the views—but I’m glad I had the potency of these places to get me through those awkward early years of developing as a photographer.*
*Apologies for the wordplay.
The Bombay Beach Ruins now feature this fanciful pirate ship, but at its core is another sculpture with a far different 1950s-automotive-aerial aesthetic. I wonder what inspiration caused the artist to transform one piece into another—or if this was the work of a second artist? I’m reminded of old masters reusing canvases, painting over earlier works to repurpose the raw materials.