Never has so dramatic a sky of natural beauty been accompanied by so bland a human foreground of golf courses and subdivisions, but that’s the paradox of California for you.
HDR Photography
Monday’s post brought me back to the epic imagery of the Bay Area that I suspect I took a bit for granted back when we were starting Decaseconds in 2011. Convincing oneself that one is a photographer is easy when these are the views—but I’m glad I had the potency of these places to get me through those awkward early years of developing as a photographer.*
*Apologies for the wordplay.
The Bombay Beach Ruins now feature this fanciful pirate ship, but at its core is another sculpture with a far different 1950s-automotive-aerial aesthetic. I wonder what inspiration caused the artist to transform one piece into another—or if this was the work of a second artist? I’m reminded of old masters reusing canvases, painting over earlier works to repurpose the raw materials.
We’ve reached the end of 2025 and I’ll celebrate with what I think is one of my best shots of the year—and also just chronologically one of the last shots of the year. The tiny camper van and far-off lights add a sense of scale, saying “goodbye” to the distant events of that past time. Happy New Year!
The Bombay Beach Ruins is a sculpture garden on the shallow shores of the Salton Sea, and this particular swing is the site of some of my favorite pictures—but the gradual evaporation of the sea has stranded a symbol of whimsy and magic on the beach as, well, just a regular swing now.