Even a huge freight train is just a tiny chain in the stretch of desert.
HDR Photography
While my past approach to photography through aircraft windows was focused on avoiding distracting reflections, the realness of the Artemis II photos—specifically those with astronauts’ hands and faces reflected in spacecraft windows—made me appreciate how the nature of our relationship with Earth though technology can be conveyed. The drama of the American West is more impressive when it’s clear what altitude allowed us to visualize it.
Like a full-time Burning Man, Bombay Beach shifted from its origins as a sort of “California Riviera” in the 1950s to something with more the feel of an artists’ colony. The town’s little grid of streets amid the emptiness of the desert valley brings to mind open-world video game maps, but the eclectic nature of the beach itself makes reality (as usual) far more interesting.
One of my best images (and I do mean best) captures a swing set adrift in the Salton Sea, seemingly separated from time and space. While my first worry was that an aerial view of the swing and its setting might remove some of the magic, I’ve realized that the opposite is true. The merging of sea and sky into a single cloud-graced expanse make even the mundane array of vehicles on the shore look parked at the edge of forever.
Rather than a fortress in a forest, this is a fortress composed of forest—or at least, it feels that way. While the far-off mountains and the lights of Palm Springs may be visible from the air, the ground-level setting is far more constrained and cozy.
P.S. Can you spot your humble photographer in this shot?
Though a photographer might briefly visit many locations, actually staying in a location means being present at the moment when the light is just right. In this case, sunrise pouring into Coachella Valley lights up the mountainsides and the rooftops, but not yet the valley floor itself.
Being there to capture the sunrise picture is great, of course, but being on location in this case also meant being able to follow it up with a sunrise dip in the hot tub.
The dry seabed that is Coachella Valley provides a very flat surface for construction; as a result, modern constructions mostly fall on whatever pattern/array is convenient to the developers. In a few places, however, interruptions in those arrays stand out in an aerial view.
The palms on this golf course, for example, are on a clear grid, with the fairways and greens cut into it. Was this a palm plantation before the course was build?
Here, the green lawn of a larger home stands out, covering multiple grid positions, while neighboring homes cluster into smaller, more regularly arrayed lots.
Though this subdivision isn’t itself on a grid, the clubhouse nonetheless interrupts the pattern.