The slow disappearance of the Salton Sea has moved dramatic art pieces, like this tetrahedron that once rose mysteriously from the water, onto a broad expanse of beach where some of their magic evaporates with the sea.
HDR Photography
The slow disappearance of the Salton Sea has moved dramatic art pieces, like this tetrahedron that once rose mysteriously from the water, onto a broad expanse of beach where some of their magic evaporates with the sea.
When I added the “Ω” to the title of this image, I imagined endings across multiple dimensions of time: Certainly, a sunset is the end of a day, but I was also thinking on the longer scale of how the slow march of evaporation and desert climate are continuously shrinking the Salton Sea. In a more personal sense, this was likely to be my last visit to the Sea—at least in anything like its current state. All of those combined finalities made this one worthy of being the omega.
Monday’s post brought me back to the epic imagery of the Bay Area that I suspect I took a bit for granted back when we were starting Decaseconds in 2011. Convincing oneself that one is a photographer is easy when these are the views—but I’m glad I had the potency of these places to get me through those awkward early years of developing as a photographer.*
*Apologies for the wordplay.
We’ve reached the end of 2025 and I’ll celebrate with what I think is one of my best shots of the year—and also just chronologically one of the last shots of the year. The tiny camper van and far-off lights add a sense of scale, saying “goodbye” to the distant events of that past time. Happy New Year!
The Bombay Beach Ruins is a sculpture garden on the shallow shores of the Salton Sea, and this particular swing is the site of some of my favorite pictures—but the gradual evaporation of the sea has stranded a symbol of whimsy and magic on the beach as, well, just a regular swing now.