Far beyond the glowing web of Bay Area streets, the verdant Berkeley Hills are curving and waving and tossing in the wind.
Along the trail to Laurel Falls, smooth, flat creekside campsites with well-defined fire pits make ideal rest stops.
The East Bay’s tree-lined streets make for a calming juxtaposition with “cloud city” wall of buildings and marine layer across the water.
Here is my Decaseconds partner in crime during our visit to Raven’s Run in Kentucky last summer. We were on a cliff high above the Kentucky River, getting our landscape photography fix.
My favorite view of the Bay Area (and the view that first let me define the idea of the civilization gradient as an element of my photography) is layered up with loads of detail. Down in Berkeley Lab is the building where I worked on sabbatical, and across the Bay Bridge is the completed Salesforce Tower hiding in the marine layer. The differences, particularly from the last time I showed a very similar shot from the spring, are in nature: the high-altitude clouds have been replaced with empty skies and that rolling marine layer, while the green hills have shifted to a dry, highly flammable tan.
In an otherwise carefully symmetrized Parisian setting, I wonder how this very high-entropy chair agglomeration formed? They aren’t set in a ring for people to chat, or even in a way that allows all of them to be used. Perhaps the grounds crew clustered them to make space for their own maintenance activities?
Weekend wind banished the last of the leaves from the trees and brought us fully into Stick Season. During this worst of all possible seasons, I appreciate looking back to the pictures I took when the world was a bit more vibrant. On the second day of this summer, the sunset hid behind the big leaves of the trees—the leaves that now coat my lawn.