We’re not far from the ninth anniversary of the founding of Decaseconds, and I came upon this arresting image of Berkeley Marina, the Marin Headlands, and the Golden Gate Bridge (never before published here) while searching for just the right anniversary shot. I’m fascinated by the way the orange emission of sodium vapor lamps lighting Berkeley (I’m sure now all swapped for white LEDs) matches the Rayleigh-scattered oranges of the winter sunset. The same wavelengths of light, coming from completely different mechanisms.
My favorite view of the Bay Area (and the view that first let me define the idea of the civilization gradient as an element of my photography) is layered up with loads of detail. Down in Berkeley Lab is the building where I worked on sabbatical, and across the Bay Bridge is the completed Salesforce Tower hiding in the marine layer. The differences, particularly from the last time I showed a very similar shot from the spring, are in nature: the high-altitude clouds have been replaced with empty skies and that rolling marine layer, while the green hills have shifted to a dry, highly flammable tan.
I finally finished processing the photographs of the transcontinental drive, transient spectroscopy, and Transamerica pyramid that made up my 2017 sabbatical from St. Lawrence University to Berkeley Lab for solar energy research. Check out my favorites, in handy chronological order, by clicking on the image of Alcatraz and the Golden Gate Bridge below:
Watching the summer sunset behind Oakland, San Francisco, Berkeley, and Marin is the perfect setting for a dinner picnic. This weekend is Memorial Day: the unofficial start of summer in much of the United States and the perfect time (i.e. time off) for picnics and barbecuing. Though this picture came from another big barbecuing holiday (Independence Day), the scene is likely to be replicated this weekend.
Historical patterns of land conservation in the Bay Area mean that the gradient between densely populated and relatively “empty” spaces is particularly steep. That nearby density means that maintaining “wild” spaces requires a theme-park like approach of fenced, paved trails. Given the erosion challenges faced by the peaks of the Adirondacks, perhaps this isn’t the worst solution.
In a forest of very vertical forms, this V-shaped pair of trees is another example of Muir Woods contrarians. Taken with a tiny aperture, the resulting V-shaped lens flare makes me think of some optical axe, chopping trees apart.