When my graduate school co-conspirators visited the Bay Area during sabbatical, we couldn’t avoid a trip to the Muir Woods to be back among the enormous redwoods. I won’t deny that I pretended for a moment that I was on Endor.
My favorite view of the Bay Area (and the view that first let me define the idea of the civilization gradient as an element of my photography) is layered up with loads of detail. Down in Berkeley Lab is the building where I worked on sabbatical, and across the Bay Bridge is the completed Salesforce Tower hiding in the marine layer. The differences, particularly from the last time I showed a very similar shot from the spring, are in nature: the high-altitude clouds have been replaced with empty skies and that rolling marine layer, while the green hills have shifted to a dry, highly flammable tan.
As busy as the cities of the Bay Area become, there are the spaces in the fire trails (like the one in the foreground) to get some quiet and distance. There’s an odd orthogonality of the senses in being able to see all of the commotion below with none of the accompanying sound.
Lovely, gentle dusk colors—pinks and magentas and purples and aquas—settle over San Francisco and the Marin Headlands, but it barely touches the bright red (technically International Orange) of the Golden Gate Bridge.
Sutro Tower has a Neo-Tokyo style at any time of day, but a hazy orange sunset adds a layer of Blade Runner/Cyberpunk 2077 style to the overwatching structure.
Clear spring days are a time when the weather of the east and west coasts unites for a perfect 60ºF and a brilliant sunset. On those days, I could look out from Berkeley Lab and see the Farallones far off shore.