Morning sun provides very stark, even lighting across the San Francisco Bay. I know rationally that gravity forces the big body of water to be (basically) flat, but the curves of the shore and the shadows of the clouds have always made the Bay itself seem to have hills and valleys. I can also confirm that the water feels pretty far from level when actually sailing it.
Coit Tower, on its leafy green (i.e. unlit at night) hillside, makes for an odd break in the structure of the more northerly parts of San Francisco. I particularly like this short of the juxtaposition of the Tower’s aesthetic beauty with the utilitarian structures of Treasure Island in the foreground.
My past couple of posts have been images of San Francisco, foregrounded by nature and suburbs—the style I like to call a “civilization gradient”. This image similarly presents downtown Oakland, California, past the hilltop homes and Cal fields of Strawberry Canyon and through the invasive alien leaves of Berkeley Lab’s eucalyptus trees. The HDR processing techniques that Brendan and I use are perfect for settings like this, with an array of light intensities across a broad landscape.
The work day is ending and the eight-to-six employees are returning home. They meet in bars or at rec leagues or around the table or in front of the TV, but the hour is still too early to head out for a night’s adventure. In between work and nightlife is dinner time. We’re not tired enough to go to bed yet; the night is young and full of paths over which to integrate (to borrow Feynman’s view).