Even in cold November weather, the spectacle of the horloge on Prague’s Old Town Hall brings an audience. Perhaps they are suitably warmed with trdelník to fight off the cold.
Prague’s Old Town Hall may appear ancient from its exterior, but its recently-renovated interior includes this dramatic elevator (the four lights are the bottom of the car) in its helical cage.
The view from the top (where that elevator leads) is far more traditional. My favorite detail of this big image is the contrast between the enormous, dramatic Prague Castle in the distance and the little shop door in the foreground.
Autumn may not be peak tourist season in Prague, but the remaining foliage makes for an effective supplement to the red and white that otherwise dominate the city’s color palette.
The buildings of Prague at dusk have a warm glow that I think the HDR technique captures perfectly.
As the evening grows chilly, is anything more welcoming than a Bohemian café?
Cab drivers told me that November is about as empty as Prague ever gets. I can’t even imagine summer.
The West Side Highway has fascinated me ever since I saw it in this very illegal lap around Manhattan years ago, but the road was mostly empty on this Sunday morning for a different kind of race: a running road race.
Prague’s Old Town has maintained a lot of its historic character (in part due to surviving WWII relatively unscathed), but that means that modern vehicle and pedestrian traffic are folded in on top of one another.
So much of the experience of Manhattan involved being surrounded by the tall buildings that to suddenly be “outside” it—perhaps on a sunny morning, on a ferry—it a bit surprising.
The brightly colored helicopters leaving the heliport on the East River stand out against gray and green colors of Brooklyn.
Just moments later, that color palette swaps—a colorless helicopter in front of colorful buildings. Perhaps my favorite detail of this image is just how much you can see of the passenger (first officer?) in the window of the Eurocopter, adding a human element to an array of otherwise designed/manufactured structures.
When pretty much everything else in this picture is newer than the Brooklyn Bridge, the beauty of the timeless design is effectively articulated.
The stones of Petřín were supposedly dug up and used to make the buildings of Prague. Looking at Prague from that hill, the it’s impressive to imagine the relocation efforts over centuries.
I’m aware that this picture technically contains three bridges, but it is nonetheless an image of the Two Bridges neighborhood just after sunrise. There are so many sunset pictures of New York; I think the dearth of morning shots is correlated with the sleep schedule of the average photographer.
The hilltop above Prague, now the site of Prague Castle, has been continuously inhabited since prehistoric times. Events of enormous historic importance (like the Defenestrations of Prague) happened via windows looking out on a very similar view.
After we spent an entire day exploring Prague Castle, strolling gently down the sunset-lit cobblestone streets to dinner felt exceptionally satisfying.
Under a layer of winter cloud cover, cities look so bright and fancy—or maybe so sci-fi-y.