While Prague Castle’s position on a hilltop is apparent from the south side, the opposite side of the fortress is equally isolated from its surroundings by a steep and wooded hillside.
Though it may be a semi-intended consequence of Manhattan’s zoning rules regarding floor space, setbacks, and public space, public art in downtown Manhattan is still refreshing. Jean Dubuffet’s Groupe de Quatres Arbres and its curving lines fits so nicely against the linear structure of the building behind it that I’m naturally drawn in.
I often show what I think of as the front of Johnson Hall of Science, but inspection of this image (particularly the top of the brick wing on the left) shows that the building’s name, and thus its front, are on this side. The dramatic glass structures extending between and out from the wings lend credence to the idea.
Cityscapes were the images that first really drew me to photography—those images with seemingly infinite detail. Zooming deeper and deeper reveals trees and cars and people down at street level. Surpassing the current limits in this respect will probably mean a new camera (or a real commitment to multi-shot panoramas.)
While I was a student at Trinity, all of the lighting on campus was from orange sodium vapor lamps. The transition to white LED lighting has made a dramatic shift in the feel of the place at night, but the golden hue of the chapel here provides a little nostalgic taste of the one-time colors of the place.
When St. Lawrence University began in 1856, the whole school—classrooms and dorms and dining hall and offices—were all crammed into this one building: Richardson Hall. Since that time, a lot has changed about the school. Yesterday marked commencement for the Class of 2020 (virtually), left me thinking about the the history and future of the university.