Though the Musée d’Orsay seems from outside like a fine, upstanding member of Paris’s “traditional architecture” club, its interior reveals some more unconventional aesthetic choices.
On this bright Sunday morning, I finally photographed the mighty Manhattan skyline from high above its (mostly) rectilinear grid. This is my favorite kind of photograph: The expanse of cloud-dappled space stretches all the way to tree-covered hills at the horizon and the cityscape seems to offer infinite detail down at the level of individual windows.
Visiting Governors Island (lacking that apostrophe since 1784) for the first time this weekend, I was astonished to see its historic buildings standing in such contrast to the sleekly modern shape of One World Trade Center in the distance. The island is only 800 yards off the coast of Manhattan, but seems a generation away.
One of Trinity College’s oldest buildings (Clement Hall, home to the Chemistry Department where I got my bachelor’s) is across from one of its newest (Raether Library and IT Center). From inside the modern surfaces and behind the modern windows, Clement looks even more Hogwartsian than it does typically.
The incredible architecture of Berkeley Lab, like the Molecular Foundry hanging out into the space of Strawberry Canyon, is implanted into an otherwise natural setting. In that sense, being there reminded me of a sort of real-world Jurassic Park. (The flocks of turkeys and herds of goats on the grounds were a bit less threatening than dinosaurs, thankfully. The mountain lions were a different story…)
I’ve shown many parts of Berkeley’s Normandy Village, but perhaps not these square homes (that look like cubes with roofs jauntily capping them).