As a child, I had this recurring dream of flying above my small Connecticut town. (Blame too many viewings of The Explorers.) The magic of actually rising above that town (with a drone) makes even the bare trees of early spring look romantic.
Author: adohertyh
Kentucky Paddocks and the Sky Beyond
Smooth, gentle, green hills cover layers of limestone beneath; trees mark the grooves where creeks cut through the soft stone.
Pony Finals 2022 Day 3
After exploring the first two days of Pony Finals 2022, we’ve reached the last day of my coverage. The positive vibes are rolling…
But already, there are some sad faces as horses and ponies start to ship out.
The warm-up ring is filled no only with young equestrians pursuing its eponymous activity, but also trial rides for folks considering purchasing or leasing.
I really enjoy the “follow the leader” pattern of this image.
Over by the Rolex, a loner rider slowly walks back to the barn.
I love the energy of an excited rider, fresh out of the ring after a great ride. Hanging out by the Rolex’s in gate gives me the perfect opportunity to captures shots like these.
Overlooking the scene gives me some opportunity to make additions to a recent photographic trope I’ve favored: pictures of a grand scene with an obvious place from which a view can watch.
Can you see the pony jumping in the distance in each of these shots?
Breakfast on the Porch II
A perfect late-summer morning at Mohonk Mountain House holds the promise of a day spent outside. While this image may be a sequel to last week’s post, I think this other angle reveals a far different view of the possibilities a day can hold when experiencing vacation.
Too Many Ponies at Sunset
“Too many” may be an exaggeration, but a field full of ponies on a Kentucky evening sure feels like it’s pushing the limit.
Pony Finals 2022 Day 2
Continuing from our Day 1 post, we now move into the second day of Pony Finals 2022. Given the dust and debris blown around on any given day, I rarely swap lenses once I make my choice. Day 2 meant a lot of shooting with the 70-200 mm f/2.8 and its buttery bokeh.
The first step is, of course, getting to the ring. (It’s not really—lots of things come before.)
And what a ring it is! Pony Finals has been held in the Rolex for the past few years. In this flat class, the full extent of the space starts to become apparent.
Big classes mean a bit of a traffic jam getting in and out of the ring. This palomino circling while waiting provides a nice contrast: one forward face, while the rest face away.
Tom O’Mara, President of the US Equestrian Federation, was on hand.
A parade of riders matches the parade of sponsor boards and seats.
As with most horse shows, Pony Finals features a lot of “hurry up and wait.”
Lined up for the judges.
An exiting-the-ring parade.
What a proud face. The 70-200 mm’s bokeh is going to great use here.
I love alternate angles on posed shots.
A lot of young riders are learning to work hard at Pony Finals.
Though horses can’t compete during Pony Finals, there are still a few practicing around the Kentucky Horse Park.
The leaves really frame this rider well.
Back in the ring, we’ve reached the over-fences classes.
It takes a whole team to get a rider to the ring.
And sometimes some behind-the-scenes negotiations.
Breakfast on the Porch I
Mohonk Mountain House remains a place nestled into both the rocks of the Shawangunk Mountains and a pre-digital era. Nonetheless, delightful new traditions manage to merge into the setting. Breakfast in the open air of the expansive front porch came about during the Covid era but has remained—a just delightful way to start the day.
This image also further exhibits the trend I explored in another recent image, showing both a view and a space for the viewer.
Old and New Kentucky
While the Interstate system feels like an ingrained part of American culture at this point, its presence (in the Eastern U.S., anyway) is revealed as a late addition from a drone’s eye view: the original patterns of farms and country roads has this massive strip of highway laid atop it.
Considering Wilde
While most of Oscar Wilde’s family home in Dublin is of a fairly traditional architecture of the era, the bright solarium on the second floor seems like quite the outlier. I like the perspective lines converging to Piper, watching from the doorway.
Rocking Chair Array
This photograph places into contrast the way humans made linear forms and nature exists beyond those patterned limits. Not only do the sloping hillsides contrast with the columns, but even the shadows cast by the Sun take orthogonal shapes and skew them to other angles.
Rays from the Barn
Drones open up all kinds of new perspectives, but these vantages don’t always have to be extreme or dramatic. The equivalent height of an aerial work platform presents just the correct geometry to get these rays from the setting sun to explode from the roof of a recently renovated barn outside Lexington, Kentucky.
Pony Finals 2022 Day 1
After posts devoted to my photography on the days leading up to Pony Finals 2022, we’ve finally arrived at the main event.
Days start early and run long; this pair is already heading back from the ring in spite of the morning light behind them.
Nearby, this trainer waits to lunge a pony.
And this young rider hurries to groom.
This was my first summer working with Sony’s 70-200 mm f/2.8 lens; the narrow depth of field (with its buttery bokeh) in combination with the eye-detecting autofocus has taken all of the luck out of capturing shots like this one.
Speaking of luck, the passengers on this overloaded golf cart might be pushing theirs.
Some pictures seem like they’re emitting sound. This is one of those.
Warm-ups in the Rolex Ring were a high-traffic affair.
In spite of the traffic, moments emerge in which a single rider is isolated.
I love those moments in which horse and rider seem to share the same expression.
Though there are no events in which adults compete during Pony Finals, this wouldn’t be a Kentucky photoset without Piper and Reuben in the mix.
Emily Elek, one of Piper’s trainers, is always exceptionally busy during Pony Finals. This picture of Emily talking on the phone is rather special for folks who know her constant refrain: “Don’t call—text!”
Now for an amusing pair of shots: two head-on pictures of smiling riders—one with a somewhat larger mount than the other.
Lastly, a shot of Will during his last Pony Finals (he just aged out of the under-18 competition) riding alongside his father in the electric golf cart. (The cart is affectionately called “blueberry.”)
Oscar in the Setting Sun
Oscar Wilde’s family home in Dublin features both this lovely solarium and a dramatically centered bust of the author.
Rocking Chairs Overlooking the Lake
First Ride on Taco
The look on Piper’s face shows her feelings and focus during her first ride on a young horse—particularly when that horse is hers. This is Taco.
Decaseconds 