For the most photographed bridge in the world, I’m always humbled to remember that the Golden Gate Bridge didn’t even exist 100 years ago. Seeing it now, in the bracket of Alcatraz and Marin, I think I understand better why it’s Roman Mars‘s favorite piece of design in the Bay Area.
There’s this perfect moment during a summer sunset in the Bay Area, as darkness falls and the flawless gradient fades through oranges to purples, when the lights haven’t quite come on yet. Marin is dark, Angel Island is silhouetted, and the world is seems to revert to an uninhabited state.
Telegraph connects Oakland and Berkeley (and is a pretty good Michael Chabon book, too.)
The Bay Area is already the setting for numerous cyberpunk adventures (like William Gibson’s classic Virtual Light—ironically set on the now-dismantled Bay Bridge in the “future” of 2006); applying a little Blade Runner grime to the present-day Port of Oakland and the towers across the Bay seems very appropriate.
The “Beaver Moon” is the last full moon in November—the last time in the season, supposedly, when beaver traps could be set at night. How fitting that my first visit to Toronto, Canada occurred on just such a night. The city has a character that seems to be a mix of Vancouver-style modernism and Chicago-style Old City; it was a great reminder of the kinds of HDR shots that first attracted me to the technique to begin with.