The somewhat-reflective panels on the planar faces of Berkeley Lab’s Molecular Foundry make the pallet for the Bay Area’s winter colors.
Arriving at the one-year anniversary of the end of my sabbatical time in Berkeley, I’ve also reached the end of processing pictures that I took while I was there—though many more will be posted in the future. Our apartment was on the second flood of this build, where the screen of the same laptop on which I’m currently typing lights up the bottom-right corner of the window and the narrow slit of dark windows were over the kitchen sink where I’d cook dinner.
Cityscapes function best with depth: layers of structures and pathways for the eye. The Bay Area view from Grizzly Peak was one of the earliest cityscapes I experimented with photographing. In those early times, it was Berkeley and San Francisco in the distance that most interested me; after my sabbatical at Berkeley Lab, the winding roads where I rode the bus to work and the bright shapes of the Molecular Foundry and JCAP in the foreground hold my interest far more. I enjoy the way in which subsequent experiences can retroactively shift the meaning in an image.
In the Berkeley Hills, above the National Lab’s Advanced Light Source, the view over Oakland’s twinkling night sprawl entrances. Look at all of those light-emitting objects! As LED lights have replaced sodium vapor models, I’m particularly fascinated in the shift as cities glow white, instead of orange.