Arriving at the one-year anniversary of the end of my sabbatical time in Berkeley, I’ve also reached the end of processing pictures that I took while I was there—though many more will be posted in the future. Our apartment was on the second flood of this build, where the screen of the same laptop on which I’m currently typing lights up the bottom-right corner of the window and the narrow slit of dark windows were over the kitchen sink where I’d cook dinner.
Despite its name, I’m sometimes surprised to see Portland functioning as a port for ships with missions beyond the city’s current PNW hipster cliché (i.e. Portlandia) image.
There are no crenelations, gates, or moats; this is not a place to hold off an invading force. Nonetheless, the châteauesque architecture of Berkeley’s Normandy Village seems like it could fairly be called a castle, filtered through generations of repeating architectural patterns. With each generation, the style moves farther from the functional reasons for its original existence.
The rapids of Stone Valley in Colton, New York have a certain stair-like repeating quality to them (at least for the 363-ish days/year during which the dam above keeps its spillway gates closed).
Farther along the river, the effect again repeats: stone ledges turn the rushing water into less-metallic slinky.
This isn’t a mere trompe-l’œil where a particular angle makes stair-like shapes appear in the stones and moving water. A view shifted by 90º confirms the structure.