Hill Structure

My trips to this hill last year were constrained by the limitations of gravity; bringing my drone with me this year opened up whole new vistas and geometries. The artificial nature of this water retention area is far more apparent when view from the air.

Hill Structure

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More from the Kentucky Summer

Another multiphoto set, this one from the final days of Kentucky Summer at the Kentucky Horse Park. We’ll start off with Dr. Piper Klemm showing Reuben and looking appropriately happy about it.

Dr. Piper Klemm on Horseback

Team Stonewall Farm is looking pretty gregarious.

Equestrian Laughs

Will, on the other hand, looks surprised—and should probably be wearing a helmet.

Blowing Back Some Hair

This wide, dramatic view of riders in the ring, the gate in, and folks sheltering from the rain outside is made all the more dramatic by the one young woman with no rain gear. Mysterious!

Show Ring Landscape

We’ll finish as we began, with Piper looking excited to be riding Reuben.

Down the Line

Unexpected Finds Around the Kentucky Paddock

A lot happens around the Kentucky cottage when we’re home from a show, but I have to admit that a pair of vultures drying out after a sudden thunderstorm in the top of a tree with a rainbow behind them isn’t what I was expecting…

Vultures and Rainbows

This look from Papaya through the trees was pretty profound but still not really what I was expecting…

A Look from Papaya

Quiet grazing in a sunset-lit paddock is perhaps closer to expectations, but this idyllic, Miyazaki-esque view still surprised me with the sense of warm summer calm.

Snacking at Sunset

Where the Houses Stop/Palm Trees and Sprawl

Like a child’s legos, spilled out onto the floor until they reach the wall of the room, the sprawl of Coachella Valley reaches from one mountain range to the other.

Palm Trees and Sprawl

Of course, when that sprawl does reach the edge, modern California’s land conservation kicks in and a hard barrier appears between homes and desert.

Where the Houses Stop

Trio vs. Trio

I found myself returning to one of my earliest Decaseconds posts (almost exactly 11 years ago) as I updated my Top 32 album on Flickr—the digital portfolio where I display my best (or simply favorite) photographs. Finding “Waves and Rocks Dwarf Man” in that set, I saw both the excellent light and composition that my old Nikon had captured in 2011, as well as all of the places where my choices in processing the original image now left my unsatisfied. Rather than simply reprocessing that original image, I went back to the folder of camera raws from that day and selected an image I took just moments later to tackle. (Always keep save those raw files!) I not only like this composition better than the older one, but I also feel that I have brought something new out here, rather than simply reprocessing something old.

Trio vs. Trio

Skyhook Above Key West

The New York Times, ever the Gen Z style-watchers, have decreed 2000s-era point-and-shoot cameras and their attendant nostalgia to be the next big thing. I was inspired to go back to my own point-and-shoot-shot originals from the era, and uncovered some surprisingly good shots that I’d somehow never before considered. Just look at the tower-like cloud in this sunrise from a 2005 trip to Key West; how did I miss this shot?

Skyhook Above Key West

Saratoga Horse Show 2022

The quiet moments of winter are the times when I look back on my photographic year and finally finish uploading my favorites. The rhythms of 2022 meant a particularly huge backlog, so here I find myself with far too deep a set of uploads to handle at a pace of one-per-day. As a result, I’ll be spacing some horse show mega-posts among my normal posts.

First in the set is Saratoga Horse Show, back in June 2022.

Saratoga Horse Show 2022 I

Saratoga Horse Show 2022 II

Saratoga Horse Show 2022 III

Saratoga Horse Show 2022 IV

Saratoga Horse Show 2022 V

Saratoga Horse Show 2022 VI

Saratoga Horse Show 2022 VII

Saratoga Horse Show 2022 VIII

Saratoga Horse Show 2022 IX

Three Views of Canton, New York

I upload pictures to be future Decaseconds posts as I find images I think are worthy. (Only the best for my readers.) During most of the year, a three-photographs-per-week pace keeps up with my new acquisitions. This fall, however, was a time of plenty, powered by my DJI Mini 3 Pro’s incredible range and low-light image quality. To keep up with demand necessitates a triple-play today.

Three views of Canton, New York begin with this image over the Grasse River, with islands in the foreground and SUNY Canton in the distance.

Reflections from the Grasse River at Sunset

Farther south, St. Lawrence University’s campus is lit up for the evening.

The Walk Home

And the quad by Kirk Douglas Hall looks warm and inviting. (It’s currently beneath a layer snow.)

The Quad by Kirk Douglas Hall

Tiny Figures and Big Rocks

Can you spot the tiny figures at the top of the hill? I’m confident that tiny figures produce a sense of grand scale in images—particular desert shots, like this one, where the inhuman nature of the place can make understanding the sizes of objects difficult. Nonetheless, I find myself wondering how small the figures in an image can be before the viewer loses the ability to recognize them as human.

Tiny Figures and Big Rocks

A Chance Return

Big changes are coming to the world of Decaseconds: Next fall, I’ll be returning to Trinity College (my alma mater) as their newest physical chemistry professor.

I took this picture of Trinity’s chapel, framed by foliage, as I packed up my car to leave at the end of my interview. Though I didn’t yet know what I do now (I’m going back there!), the warm breeze and familiar smells and satisfaction of a successful interview left me with a sense of calm, comfort, and peace.

A Chance Return

Water Escape: Coachella Valley

Coachella Valley is a desert that was once home to a lake, so careful management of water—both where it should go, and where it shouldn’t—leads to some fascinating human-engineered structures. I like this image for the sense of depth, but also for the way that the unmodified hills rise above the human-produced forms in the fore- and mid-ground.

Water Escape: Coachella Valley