Continuing on the juxtaposition theme from my last post, here we have the “BIGGEST MUSIC CLUB IN CENTRAL EUROPE” jammed into a tiny corner between buildings along Prague’s Vltava River.
Jiráskův Most over the Vltava River touches old town at the site of the glowing Dancing House, the “only new building in Old Town,” I’m told. At night, the juxtaposition with the rectilinear older forms starts to grow on me.
The old buildings of Prague change at a glacial pace, as this tunnel through a building reveals. The pattern of the taillights, however, reveal the recent vintage: that saw-like pattern can’t be formed by old-fashioned incandescent bulbs, but rather by the rapid on-off of LED hardware.
I’m back from a week in Prague, and it’s time to roll out some serious Bohemian photography. To start off the week, check out this night shot across the Vltava River to Charles Bridge, Prague Castle, and the St. Vitus Cathedral.
I’d never dare to suggest that an enormous stone staircase in a tourist-focused area of Paris would be a “secret”, but that glowing doorway below street level looks like some secretive club or spy rendez-vous.
On this bright Sunday morning, I finally photographed the mighty Manhattan skyline from high above its (mostly) rectilinear grid. This is my favorite kind of photograph: The expanse of cloud-dappled space stretches all the way to tree-covered hills at the horizon and the cityscape seems to offer infinite detail down at the level of individual windows.
St. Lawrence University’s campus has an “everything the sun touches is your kingdom” vibe—the school extends over almost an entire quadrant of town. Just under the setting sun is the most-frequented version of campus, but it continues to extend over the woods to this oxbow.