High above the wet woods of northern Vermont in early winter, the contrast between dark coniferous trees and blanched deciduous trees makes for a mottled appearance. Down amongst that Ising Model of tree distribution, a little building or two make for odd inhomogeneities.
Even from high above, the evidence of winter’s arrival show in the locked-down and cracked-apart landscape of the northeastern United States.
A family farm on a hillside in northern Vermont at the start of winter is like an empty table, ready to be set for a meal. These and other folksy aphorisms, brought to you by a digital eye on a flying robot stabilized by orbiting artificial satellites and electronic gyroscopes. The future is excellent!
Horses don’t seem to mind the snow. Wintery Vermont afternoons, with the appropriate amount of horse treats, are just their style.
Deep in winter and summer, New England becomes monochromatic (white and green, respectively). Late fall is different; “stick season” has a broad, desaturated array of hues that stretch across the landscape.
A pony farm nestled in the hills of northern Vermont: with a ring and a pond by the house, what more can a young American dream of?
(At the moment I took this picture, the answer was, “snow.”)
Homes designed to weather the fierce winters of northern New England and the North Country have a particular structure: Something vaguely Scandinavian and reminiscent of a Viking longhouse. When the sun sets and the clouds gather for our (current) proper winter, I’m glad for the equivalence.