The marine layer rolls in to blanket San Francisco in damp cold during summer evenings. My favorite part of this image is the way the Bay Bridge and the bayside buildings are highlighted by that rolling cloud bank. In just a few minutes more, the whole city was covered.
Cityscapes function best with depth: layers of structures and pathways for the eye. The Bay Area view from Grizzly Peak was one of the earliest cityscapes I experimented with photographing. In those early times, it was Berkeley and San Francisco in the distance that most interested me; after my sabbatical at Berkeley Lab, the winding roads where I rode the bus to work and the bright shapes of the Molecular Foundry and JCAP in the foreground hold my interest far more. I enjoy the way in which subsequent experiences can retroactively shift the meaning in an image.
I’ve previously compared the feel of St. Lawrence University’s campus in the winter to a ski resort missing its ski slopes; even from the air, the miniature snow city effect holds. Though I’m not sure I can explain the particular magic of this image, it currently holds the record has the most-liked picture on St. Lawrence’s Instagram. Perhaps it’s the glow of the setting sun on the buildings?