Battling the breezes of late summer above the fallow fields of the North Country, this image might appear to be capturing the edge of a farm. In fact, this is the southeastern reach of St. Lawrence University’s rural campus. The stables, home of our IHSA riding team, are off in the distance.
Time has transformed a random sunset shot out the window of my sabbatical apartment in Berkeley’s Normandy Village into a nostalgia-inducing pixel arrangement. Even the wood patterns in the window frames now stand out to me.
The year 2020 is here! “Cautious optimism” remains my default lens for the future, but a look back over the photography of the past decade (like this shot from the Molecular Foundry overlooking San Francisco during my sabbatical), I’m feeling a bit excited. The first major upgrade in my shooting platform is planned for 2020 (the Nikon D7000 is getting a well-deserved retirement) and I can’t imagine the improvement I’ll see when I jump an entire decade forwards in camera technology.
My favorite view of the Bay Area (and the view that first let me define the idea of the civilization gradient as an element of my photography) is layered up with loads of detail. Down in Berkeley Lab is the building where I worked on sabbatical, and across the Bay Bridge is the completed Salesforce Tower hiding in the marine layer. The differences, particularly from the last time I showed a very similar shot from the spring, are in nature: the high-altitude clouds have been replaced with empty skies and that rolling marine layer, while the green hills have shifted to a dry, highly flammable tan.