A curving, semi-broken mountain road beneath an aspen grove is the natural habitat of Subaru’s Impreza WRX. As I took this shot, I was riding in a Subaru myself—there was an appropriate sense of kinship.
Tag: mountain
Utah Homestead
Mohonk and Its Setting
The Mountain House seems to float above its eponymous lake—I’ve lately been imagining it as an overgrown version of Howl’s Moving Castle.
Old Hotel
From modern lasers to something a bit older: the lakeside view of Mohonk Mountain House, looking much as it has for more than 100 years. The sheer face of the cliff contines into the structure and reflects in the water.
Skytop and the Hotel
Mohonk’s Skytop appears as a small castle atop the hills near the hotel, but its reality is a bit more mundane: it was constructed as a watchtower for forest fires in the early twentieth century. Though no longer in use, it adds an extra hint of magic to the whole setting. The hotel (off to the left) sits on the water, and the tower touches the sky.
No More Canoes
There are many ways to define the seasons, with varying degrees of usefulness. (Solstices and equinoxes seem to have only the thinnest connection with the weather.) Perhaps the most valuable differentiation between times of the year is when one can reasonably be out on the water: “Spring” is that first moment when an afternoon in a canoe doesn’t sound miserable.
Hotel Services
Even the grandest of hotels have infrastructure that supports the guest experience. For a grand old hotel like Mohonk Mountain House, that infrastructure is charming enough to be interesting in its own right.
Those early-twentieth-century structures—boilers and exhaust stacks and hand-painted signs noting the protocols for refilling the massive fuel oil tanks.
Mohonk Gold and Blue
Deep night colors on the snow cliffs contrast with the warm glow of the hotel; this could be an infrared image, mapping the local temperatures.
Mohonk Reflections (I, II, and III)
Mid-March shift from my most photographically productive time on the West Coast (amazing sunsets, end of the rainy season, etc.) to my least in the East (dirty snow, still-bare trees, sandy roads). I’ve been trying to find more beauty in the pre- and post-winter “stick seasons,” examining the shapes revealed when leaves and snow can’t hide branches. Though I’m not yet convinced to do anything more than grudgingly accept its necessity, but it led to some pretty dramatic reflections at Mohonk Mountain House.
In the Hills Above Park City
Rolling hills (in this case, outside Park City, Utah) normally vanish into Rayleigh-scattered blue haze. (That was particularly the case this summer in Utah.) The magic of a red filter for black and white photography is to simultaneously reverse both the fading and the bluing effect. The result are landscapes like this that seem to go on “forever”.
Behold, Shasta!
See Mt. Shasta rising from the forests around it, all snowbound and rocky. Perspective may push them together, but the difference in scale between trees and mountaintops is staggering.
Flooded Flats II
Another image from the flooded Bonneville Salt Flats.
Flooded Flats
So flat are the Bonneville Salt Flats that, during the winter months, the region will be covered uniformly by only about one inch of water. This layer is so thin that it can’t support large waves and surface disturbances, resulting in almost perfect reflection of the far-off hills and clouds.
Shasta and Black Butte
Assembled by the same volcanic activity, California’s Mt. Shasta (left) and Black Butte (right) make for charming mirror-world contrasts of each other, like The Magician’s Ember and Umber.
SuperShasta
Driving from San Francisco to Portland means passing Mt. Shasta. With the exposure shortened, the array of textures and shadows on the mountain’s snowy surface are revealed.
