On a winter’s stroll through the forested grounds of Mohonk Mountain House, a snowy gazebo makes the perfect place to stop and enjoy the sunshine.
I’m aware that this picture technically contains three bridges, but it is nonetheless an image of the Two Bridges neighborhood just after sunrise. There are so many sunset pictures of New York; I think the dearth of morning shots is correlated with the sleep schedule of the average photographer.
A band playing music of a certain era deserves to be depicted in an olde-time-y photograph.
In the dusty smaller hallways of Prague Castle, arms and armor stand at attention. This particular combination of gauntlets and hilt stood out to me.
Perhaps it’s the excellent new Rian Johnson movie Knives Out, or perhaps it’s the new HBO adaptation of the His Dark Materials trilogy, but this case full of daggers in Prague Castle put me in mind of Philip Pullman’s The Subtle Knife.
Neighborhoods like Greenwich Village, Chelsea, and the Bowery are remarkably low-rise until they suddenly run into the wall that is Midtown Manhattan. The new pencil towers under construction may look out of place, but at least they don’t block the views of nature to the north.
Sacré-Cœur sits high on a hill above Paris, and from the top of Tour Montparnasse (Sacré-Cœur architectural polar opposite), the view shows off so many of the city’s famous structures simultaneously: the Musée d’Orsay, the Louvre, the Palais Garnier.
Marine layer water clusters suspended in the air can always turn San Francisco pale, but the fuzziness of memory also layers over the time when Transbay Tower was under construction.
I have no idea why Paris lines the highly trafficked paths around the Eiffel Tower with light gravel footing that turns to thick white mud with the slightest presence of weather… But it does make reflection shots like this one possible.
Cinestudio is the independent movie theater on the campus of Trinity College. After volunteering at this nonprofit through all four years of college, a visit back during reunion was bound to be a bit special. The new sign and new seats in the movie-palace-style setting only added to the effect.
The Paris Catacombs are a story of multigenerational effects: the mining of limestone for Paris’s characteristic buildings, the collapses of buildings into the voids the mining created, the efforts to reinforce the cavities, and ultimately the decades-long project to transfer the remains of six million Parisians to the space. At this point, it has earned the name “Empire of the Dead”.
This is a big week for images of annular objects and I want to make my contribution from a less cutting-edge end of the spectrum: looking up a shaft from inside the Paris Catacombs. The rainy day at the other end of this portal means umbrellas obscure the sky.
Down the tiny alleys, side streets, and driveways of Berkeley are all kinds of odd old garages. My favorite details of these structures usually come down to scale; the driveway tracks and garage measurements were clearly built to be just large enough for the cars of the period. As American vehicles have grown larger, they now appear comically mismatched with anything but a vintage car in the scene.
At the right time of day and with the right hints of weather, San Francisco looks extra futuristic. Home to the tech industry, I think the city usually merits the descriptor.
Adding to my collections of homesteads in places like Vermont and Wyoming is today’s shot from outside Park City, Utah. Looking closely, you can see the array of vehicles in the landscape, looking extra-miniature against the mountains beyond.