A band playing music of a certain era deserves to be depicted in an olde-time-y photograph.
In the dusty smaller hallways of Prague Castle, arms and armor stand at attention. This particular combination of gauntlets and hilt stood out to me.
Perhaps it’s the excellent new Rian Johnson movie Knives Out, or perhaps it’s the new HBO adaptation of the His Dark Materials trilogy, but this case full of daggers in Prague Castle put me in mind of Philip Pullman’s The Subtle Knife.
Neighborhoods like Greenwich Village, Chelsea, and the Bowery are remarkably low-rise until they suddenly run into the wall that is Midtown Manhattan. The new pencil towers under construction may look out of place, but at least they don’t block the views of nature to the north.
Sacré-Cœur sits high on a hill above Paris, and from the top of Tour Montparnasse (Sacré-Cœur architectural polar opposite), the view shows off so many of the city’s famous structures simultaneously: the Musée d’Orsay, the Louvre, the Palais Garnier.
Marine layer water clusters suspended in the air can always turn San Francisco pale, but the fuzziness of memory also layers over the time when Transbay Tower was under construction.
I have no idea why Paris lines the highly trafficked paths around the Eiffel Tower with light gravel footing that turns to thick white mud with the slightest presence of weather… But it does make reflection shots like this one possible.