The Paris Catacombs are a story of multigenerational effects: the mining of limestone for Paris’s characteristic buildings, the collapses of buildings into the voids the mining created, the efforts to reinforce the cavities, and ultimately the decades-long project to transfer the remains of six million Parisians to the space. At this point, it has earned the name “Empire of the Dead”.
This is a big week for images of annular objects and I want to make my contribution from a less cutting-edge end of the spectrum: looking up a shaft from inside the Paris Catacombs. The rainy day at the other end of this portal means umbrellas obscure the sky.
Down the tiny alleys, side streets, and driveways of Berkeley are all kinds of odd old garages. My favorite details of these structures usually come down to scale; the driveway tracks and garage measurements were clearly built to be just large enough for the cars of the period. As American vehicles have grown larger, they now appear comically mismatched with anything but a vintage car in the scene.
From modern lasers to something a bit older: the lakeside view of Mohonk Mountain House, looking much as it has for more than 100 years. The sheer face of the cliff contines into the structure and reflects in the water.
Thirteen years ago, I took this picture out the window of my dorm room in Trinity College’s Jarvis Hall. Over the years of renovations and upgrades between then and now, I don’t believe the room or the tree are still there. The iconic Neo-Gothic windows, however, are still there.