Stone to City

While my normal images capturing the “civilization gradient” tend to be more focused on space (traversing from nature to dense urban areas), I sort of like the way this image reminds me of a traversal through time, from the Stone Age to the Information Age. As William Gibson says, “The future has already arrived—it’s just not very evenly distributed.”

Or perhaps it really just reminds me of the vantage point from Caspar David Friedrich’s “Wanderer above the Sea of Fog“.

Stone to City

Every Detail of the Bay, Redux

This image is another in a series of my re-processings of less-than-new RAW files with Photoshop’s “Super Resolution” machine learning algorithm. As in those other cases, the added impression of detail is particularly astonishing when viewed at full size after clicking through to the original image on Flickr.

Every Detail of the Bay Redux

Sather Tower and San Francisco

In the United States, the ubiquitous Neo-Gothic architecture of college campuses is an intentional throwback to far more ancient campuses in Europe. From a present-day perspective, of course, the “new” campuses of the east coast have existed for long enough that the anachronistic campuses now blur into a single time period called “old”. On the west coast, however, structures like Berkeley’s Sather Tower (a.k.a. the Campanile) are clearly artificial additions in the otherwise-contemporary landscape.

Sather Tower and San Francisco

Civ Gradient Redux

Going back over some of my favorite images with “Super Resolution,” there’s no way I was going to skip a second shot at my image that first captured the “civilization gradient” from nature through suburbs to dense urbanity.

Civ Gradient Redux

Berkeley Lab Super Resolution

Extracting additional information from an image by “enhancing” it has long been a ridiculous trope of police procedurals; it’s with great amusement that I noticed that Photoshop’s new “Super Resolution” capability (which uses machine learning to quadruple the resolution of an image) is under an option called “Enhance”. The first subject for enhancement was this picture I took of Berkeley and San Francisco in 2011. It’s worth the click-through for the full resolution version.

(Adding to the super-resolution theme, this image also contains, in the lower-center, the Molecular Foundry and its associated center for electron microscopy.)

Berkeley Lab Super Resolution

Sodium Emission vs. Rayleigh Scattering

We’re not far from the ninth anniversary of the founding of Decaseconds, and I came upon this arresting image of Berkeley Marina, the Marin Headlands, and the Golden Gate Bridge (never before published here) while searching for just the right anniversary shot. I’m fascinated by the way the orange emission of sodium vapor lamps lighting Berkeley (I’m sure now all swapped for white LEDs) matches the Rayleigh-scattered oranges of the winter sunset. The same wavelengths of light, coming from completely different mechanisms.

Sodium Emission vs. Rayleigh Scattering

New Year: Skyline Watcher with Cactus

The year 2020 is here! “Cautious optimism” remains my default lens for the future, but a look back over the photography of the past decade (like this shot from the Molecular Foundry overlooking San Francisco during my sabbatical), I’m feeling a bit excited. The first major upgrade in my shooting platform is planned for 2020 (the Nikon D7000 is getting a well-deserved retirement) and I can’t imagine the improvement I’ll see when I jump an entire decade forwards in camera technology.

Skyline Watcher with Cactus

Every Detail of the Bay

My favorite view of the Bay Area (and the view that first let me define the idea of the civilization gradient as an element of my photography) is layered up with loads of detail. Down in Berkeley Lab is the building where I worked on sabbatical, and across the Bay Bridge is the completed Salesforce Tower hiding in the marine layer. The differences, particularly from the last time I showed a very similar shot from the spring, are in nature: the high-altitude clouds have been replaced with empty skies and that rolling marine layer, while the green hills have shifted to a dry, highly flammable tan.

Every Detail of the Bay