Coffee consumption is high among professors and highest among scientists of any profession, so it’s only appropriate that a portrait of me in Berkeley’s Normandy Village for sabbatical should include a generous cup of joe.
I’m interested in how scientists are depicted in media. They seem to always be in one of two modes. Either smiling at the desk with a screen and board filled with data/equations:
Or in the lab, with fancy apparatus and appropriate PPE. This may be real evidence of a sort of dichotomy in the lives of many working scientific professionals: some of the time is spent at a desk, doing the sort of email-answering/paperwork-submitting tasks that are common to many fields, but the rest of the time is spent in a more technical setting. I’d really like to see a broader view of how scientists spend their time. Could the whole breadth of the approach be captured in a single image, like some elaborate Baroque painting?
That skyline is recognizable, even shrouded behind 200 mm f/2.8 bokeh. Though many people in the Berkeley Hills watched this scene, and though I wasn’t the only one with a camera, the unique light-twisting effect of bokeh means that I’m the only one who captured this pattern and this moment. My favorite details are the individual pieces of grass, bright and sharp against the softness of the Emeryville background.
Though most sports have an age of peak ability, English riding seems to be wide open to riders of all ages (though the cost of riding horses can remain a separate barrier.) Today, I wanted to look back at some of my portraits from past horse shows. First, a shot of young Hanna Rose Egan at the 2014 Kentucky Summer Classic.
I’ve heard that dogs and their people start to look similar, but I’ve never heard an equivalent edict for horses and their owners. Perhaps that should be reconsidered in light of this portrait from the 2014 Lake Placid show.
As with my photograph of the Seattle Public Library, I’m exposing my inner hipster with these images. Double exposures had an element of serendipity and excitement when they originated from film cameras. I guess I’d call these more studies or experiments in how to bring together the landscape images I’ve enjoyed creating with the portraits I find myself taking for practical purposes: LinkedIn, passports, school webpages, etc.
With these imagines, in particular, I’ve played with the idea of “stacking” the face and the main subject of the other image (be it lighthouse or galaxy NGC1275 overlay data from the Hubble Telescope).