Part of me wants to imagine that watching fireworks from the stern of a WWII-era tug would be a perfect summer experience… But another part wonders about the chipping paint and rust, hard corners and suspects that there might be some subtleties to perfecting the viewing location.
More than any of the other Traverse City fireworks shots I’ve presented so far, I think this one captures the essence of summer: little Lake Michigan waves lapping at the shore, soft beaches, boats moored to piers, and the pair of people relaxing on the rocks in the foreground. They’re the most intriguing part of the image, to me: when everyone else is looking to the sky, what is interesting them more than the fireworks?
Hiking through Stone Valley to capture a vibrant sunset over long-exposure-blurred rapids really only works if the sunset shows up for the party. What I found instead was a more quiet and contemplative view of early autumn in the Adirondacks.
I recently returned to this shot from 2015 to reprocess the original raw for a calendar of B&W images for St. Lawrence. While it may not have Iwan Baan‘s level of people in the image, the bicycle adds a nice sense of quiet, human scale to the setting.
The new Sony camera and its drastically improved signal:noise meant the opportunity to capture the Aviation Museum of Kentucky freed from the constraints of tripods.
Coming face to face with a monster waterfall at the end of a hike brings a refreshing sensation: invisible clouds of cool mist.