HDR Photography
Last weekend brought #GRIDLIFE Circuit Legends to Lime Rock Park and I went full photographer, including a new circularly polarized filter that reveals new details, like the driver and passenger inside this drifting Volvo wagon.
Steam pipe repairs and upgrades outside Trinity College’s Clement Chemistry Building have introduced a dramatic, Star-Wars-worthy pit outside the building that suggests a far more interesting adventure than the realities of winter heating.
A Kentucky Horse Park barn forms a fortuitous angle with the rolling hills for a surreal diamond pattern.
Docked boats, harborside establishments, and tall cliffs look like the ideal Mediterranean setting for a cartoon bear’s (or perhaps pig’s, but we know that’s the Adriatic) fictional home base.
On the deck of the Wind Star, the arrival of dawn matched our arrival into the deepwater harbor of Maó. The details on either shore (captured in this more-than-30,000-pixel-wide panorama) are well worth clicking through to the full-sized image.
Though the Wind Star felt like a plenty-large ship while we traveled aboard her, docking at typical cruise ship terminals (an entirely novel experience for me) demonstrated that she was far smaller than common cruise ships.
On National Connecticut Day (apparently a Real Thing since 2017), I wanted to show these three views from around our state capital. They’re united by a strategy of processing the images darker in exposure than I might normally, producing deep, dark tones and highlights safe from being blown out.
One of my earliest memories is climbing the rope into the hayloft of my grandfather’s sheep barn. As his advancing age prevented him from making the journey out to the barn, it slowly fell into disrepair, but I’m glad I was able to take a final trip to capture what Granddad always referred to as “the homestead”.
This little town on the shores of the Salton Sea is only a few blocks in each direction, a sort of echo of what might have been in a different ecological timeline. My favorite detail of the image, though, are the other lights away on the far shore of the Sea, just beneath the mountains, suggesting another world still out there.
Unlike past summers, when drought left central Kentucky crispy, a rainy summer produced lush foliage around the bridge over the South Elkhorn Creek.
Narrow sticks emerge at regular intervals from the water, silhouetted in the reflected sunset, raising more questions than they can answer along the shoreline of the evaporating Salton Sea.
Bushnell Tower was originally intended to have a twin rising next to it. Though the cost of the first tower ultimately scuttled plants for the second, echoes of the goal remain in the design. It wouldn’t have done to have windows looking directly into one’s neighbors, so the side of the building originally designed to face its partner was constructed with very few windows. My personal stance is to enjoy the little bit of strangeness in a world that threatens to become a bit more smoothed-down and homogenous.
As I noted last week, the gradual evaporation of the Salton Sea has left Bombay Beach with more and more of its namesake. The outlines of the town show where the earthen sea wall was constructed to protect it from flooding that now seems less and less likely; the comparatively more green-hued beach shows the areas that were more recently submerged.
The lights of the Hartford Public Library in the foreground provide a safer, more orderly home for the eye than the highly abnormal weather feature expanding forth around Travelers Tower like some portal to an evil dimension.
The slow disappearance of the Salton Sea has moved dramatic art pieces, like this tetrahedron that once rose mysteriously from the water, onto a broad expanse of beach where some of their magic evaporates with the sea.
Decaseconds 