Dream-logic usually stays confined to dreams, but this swing in the Salton Sea appears fully isolated and separated from reality (while still existing within it); I’m reminded of an extremely low-rent version of Itsukushima Shrine.
Roots draped elegantly over rocks beside a burbling brook create the more-naturally-occurring equivalent of a Japanese garden.
On a hike with my extended Decaseconds family to Laurel Falls, we paused by the flowing water to explore some strange arrangements of roots and rocks. Landscapes are so much more enticing to a human viewer when there are obviously human forms in the picture, they say, and this image definitely supports that thesis.
The hike to Laurel Falls brought a mix of sand and stone (and sandstone?) in its geology that differs from the Adirondack settings that I’m most used to. The mixture of geological features and stunted trees in the setting has a calming “natural equivalent of a Japanese garden” quality to it that I really appreciated.
Views like this one, capturing the marine layer rolling across the San Francisco Bay towards the Port of Oakland, are the kind that first attracted me to photography. I took this picture nearly four years ago, during my sabbatical to the Bay Area, when I was still shooting with my Nikon D7000 (already antiquated tech in 2017); I can’t want to be able to safely revisit Berkeley’s Grizzly Peak to capture more cityscapes with my new Sony a7R IV.
In the winding waters above Lampson Falls, slow currents make for a placid surface. On a still (yet much more wintery day), my mind has wandered back to warm spring evenings in places other than my office.