The New York Times, ever the Gen Z style-watchers, have decreed 2000s-era point-and-shoot cameras and their attendant nostalgia to be the next big thing. I was inspired to go back to my own point-and-shoot-shot originals from the era, and uncovered some surprisingly good shots that I’d somehow never before considered. Just look at the tower-like cloud in this sunrise from a 2005 trip to Key West; how did I miss this shot?
Coachella Valley is a desert that was once home to a lake, so careful management of water—both where it should go, and where it shouldn’t—leads to some fascinating human-engineered structures. I like this image for the sense of depth, but also for the way that the unmodified hills rise above the human-produced forms in the fore- and mid-ground.
We were in Traverse City, Michigan, during last year’s Fourth of July celebrations. Fireworks over the Grand Traverse Bay have some added drama, but the area is so far north (and west in its time zone) that the sky still hadn’t fully darkened.
After the main show has finished, private citizens produce their own displays up and down the beach.
Dream-logic usually stays confined to dreams, but this swing in the Salton Sea appears fully isolated and separated from reality (while still existing within it); I’m reminded of an extremely low-rent version of Itsukushima Shrine.
Roots draped elegantly over rocks beside a burbling brook create the more-naturally-occurring equivalent of a Japanese garden.
On a hike with my extended Decaseconds family to Laurel Falls, we paused by the flowing water to explore some strange arrangements of roots and rocks. Landscapes are so much more enticing to a human viewer when there are obviously human forms in the picture, they say, and this image definitely supports that thesis.
The hike to Laurel Falls brought a mix of sand and stone (and sandstone?) in its geology that differs from the Adirondack settings that I’m most used to. The mixture of geological features and stunted trees in the setting has a calming “natural equivalent of a Japanese garden” quality to it that I really appreciated.