Island Gazebo Facing the Hotel

All of the little details of place—the railings and paths, the docks and balconies—stand out in the blue hour. There’s a cozy contrast between the warm lights of Mohonk Mountain House and the cooler colors of the little gazebo atop at rock staring back at the hotel.

Island Gazebo Facing the Hotel

Tree Outlier

A cliff face may not seem the optimal spot for a tree, but there will always be specimens that go against the grain. (I couldn’t help myself.) The lights of the granary barbecue across the lake almost makes me think that this particular tree is pining (again, I’m sorry) to pick up its roots and go join the party.
Tree Outlier

Best Wishes for a Fast Recovery, Coachella Valley

“Coachella Valley was just battered by Hurricane Hilary.” — What an odd sentence to write. Today, we’re looking back to times when the idea of this dry lake bed being hit by a hurricane sounded like science fiction.

Development Christmas

Zenda and the Empire Polo Club

Blinding Lights of the Tennis Courts]

Forest Fortress

Rather than a fortress in a forest, this is a fortress composed of forest—or at least, it feels that way. While the far-off mountains and the lights of Palm Springs may be visible from the air, the ground-level setting is far more constrained and cozy.

Forest Fortress

P.S. Can you spot your humble photographer in this shot?

From the Vineyard to the Highway

Light trails from (a) vehicles leaving a concert at Equus Run Vineyards and (b) cruising along the nearby highway might imply some connection between the two, but years of renting the summer cottage at the left side of this picture has taught us the truth: it’s a surprisingly long drive down back-country roads to reach that interstate.

From the Vineyard to the Highway

Tall Stack

Seeking to print some images for a tall, narrow section of wall near a window in my office, I realized that I don’t shoot vertically very often. Perhaps that comes from what originally drove my interest in photography—making cooler desktop wallpapers for my computer. I traveled back to 2013 to find a vertical shot that really tickled my fancy (though luckily Adobe’s Super Resolution was up to the task of upsizing for printing.) The warm sodium-vapor-and-neon glow of San Francisco’s Embarcadero (stacked with the Transamerica Pyramid and Coit Tower) are a moment frozen in time, if not least because the switch to LED streetlights is totally changing the hue of an American city at night.

Tall Stack

Shipping Beneath the Marine Layer

Views like this one, capturing the marine layer rolling across the San Francisco Bay towards the Port of Oakland, are the kind that first attracted me to photography. I took this picture nearly four years ago, during my sabbatical to the Bay Area, when I was still shooting with my Nikon D7000 (already antiquated tech in 2017); I can’t want to be able to safely revisit Berkeley’s Grizzly Peak to capture more cityscapes with my new Sony a7R IV.

Shipping Beneath the Marine Layer