Continuing on the juxtaposition theme from my last post, here we have the “BIGGEST MUSIC CLUB IN CENTRAL EUROPE” jammed into a tiny corner between buildings along Prague’s Vltava River.
Tag: blue hour
Big Island with Little Island
Crenellation Generation
Wick’s New York
I caught John Wick Chapter 3 in theaters this weekend; that movie’s take on New York City inspired me to finish processing my RAWs from my October 2018 trip to photograph its downtown skyline. Perhaps that sense of a hidden world lurking around every corner is captured in the details along the shore.
Complicated Structures of Normandy Village
State Police on the Seine
Enter the Linear Cage
In comparison with the pathways between buildings in Northern New York (mostly shielded against the elements), I’m a bit disoriented by the semi-exposed stairwells and walkways of California. The mixture of features I associate with being inside (like the door with full glass window) and those I associate with being outside (like the tubular steel guard rails) makes for a juxtaposition.
Boulevard Garibaldi et la Tour Eiffel
Downtown to Midtown
From New Jersey’s Liberty State Park, the view of downtown Manhattan is unimpeded. The view extends all the way up to Midtown and landmarks like the Empire State and Chrysler Buildings. With nothing but the water’s reflections between me and the skyline, there’s an odd calmness to a multimillion-person city.
On a Log, Watching the Bridge
From the graffitied logs of Berkeley’s Grizzly Peak, the Bay Bridge and San Francisco make for an incredible view—when they’re visible. The dramatic high clouds of winter are replaced by an all-shrouding marine layer in the summer that often turns the peak into a cloud bank. On the lucky nights when the marine layer is delayed, the bridge and city lights have a moment to shine before the blanket falls.
End of the Blue Hour: San Francisco
A history of design and engineering is visible from the Marin Headlands in the Golden Gate Bridge and San Francisco beyond it. That’s visible at every hour of the day, so I must conclude that the people jamming the roads earlier on the evening of this image were mostly there for the combination effect with the sunset. As the crowds decamped for dinner elsewhere, the blue hour brought my favorite views of the city.
Where the Cars Sleep
Given the extraordinary nature of the Normandy Village, “regular” cars seem oddly out of place. Perhaps that in part because the average car has grown so significantly in size since the little bays of the village were built.
Peak View
Cityscapes function best with depth: layers of structures and pathways for the eye. The Bay Area view from Grizzly Peak was one of the earliest cityscapes I experimented with photographing. In those early times, it was Berkeley and San Francisco in the distance that most interested me; after my sabbatical at Berkeley Lab, the winding roads where I rode the bus to work and the bright shapes of the Molecular Foundry and JCAP in the foreground hold my interest far more. I enjoy the way in which subsequent experiences can retroactively shift the meaning in an image.
Cityglow
Coit Tower Blue Hour
Coit Tower, on its leafy green (i.e. unlit at night) hillside, makes for an odd break in the structure of the more northerly parts of San Francisco. I particularly like this short of the juxtaposition of the Tower’s aesthetic beauty with the utilitarian structures of Treasure Island in the foreground.














