Everything the sun touches is Margaux Farm. This red-roofed barn in the foreground is but one example; look off into the distance and count how many additional structures appear with a matching color scheme.
Hayao Miyazaki’s films are notable for these beautiful landscape/establishing shots of windswept grassy hillsides beneath huge cumulus clouds. The gentle, rolling limestone hills of northern Kentucky, with some cows grazing quietly in the distance, made me feel like I was in a Miyazakiesque setting.
Good news, everyone! A new, much-lighter, yet equally capable drone (the DJI Mini 3 Pro) means aerial photography while traveling in a way that was never possible with my chunky Phantom 3.
In today’s image, northern Kentucky presents a classic American combination: old barns and farms, crossed by the monolithic expanse of the Interstate system.
This incredible summer sunset view over Glencrest Farm in Kentucky came at the perfect time to test out my new lens: a 70-200 f/2.8 (the “classic” sports photography lens) for my Sony a7R IV. Though I had such a lens for my Nikons years ago, updating all of my glass for the new camera has, of course, been a process.
Breakfast with ponies is the best way to start the day—but it’s only possible for me when we stay in Kentucky, where they can sometimes come home from the Horse Park in the evening.
Though the cottage’s paddocks may be the charming/rustic remains of enclosures for goats, that doesn’t lessen the beauty of a sunrise over its tree-lined rim.
I’ve always abhorred airports. Actual air travel, if dull, is typically calm and uneventful. Airports are Purgatory-on-Earth where stressed travelers worry and fuss and cope with the imminent delay and cancellation of their flights.
Still, if I have to spend time in an airport, Chicago’s Midway is probably my favorite. It has by far and away the best selection of overpriced food (Potbelly’s sandwiches! Pegasus gyros!) and an at least tolerable amount of seating. In its own way, Midway is not entirely un-beautiful.