Fall brings both fantastic foliage and dramatic sunsets to the North Country; my favorite evenings are those in which the hues of the the sky and the leaves match the red brick of St. Lawrence University’s Richardson Hall.
Route 11, the main road connecting the whole North Country (we don’t have any Interstates), runs through a series of quaint downtowns, where it temporarily becomes Main St. The impressive stability of the DJI Mini 3 Pro meant that I could capture long, smooth light trails from headlights and taillights representing the evening’s traffic.
A full-scale fireworks display is usually “far away”—over a park or a body of water, perhaps. When St. Lawrence University puts on a fireworks show for graduation, however, the fireworks are right on campus. Imagine watching that show from your dorm-room window!
A poster of Caspar David Friedrich’s “Wanderer above the Sea of Fog” hung above my bed in college, and I’ve since then developed a love of Rückenfiguren in images. Building from my last post’s theme of self-portraiture, I thought using myself as the POV for an image in Stone Valley might add the right German Romantic vibe.
Earlier this week, I posted an image that used long exposure to contrast textures in a landscape. This image achieves a similar goal, but perhaps with even more drama and structure. The oblique lighting from the blue-hour sky exaggerates the sheets of stone that have been thrust forth from the Earth.
Hiking through Stone Valley to capture a vibrant sunset over long-exposure-blurred rapids really only works if the sunset shows up for the party. What I found instead was a more quiet and contemplative view of early autumn in the Adirondacks.
As a child, I was deeply interested in the idea of islands—these isolated, well-defined chunks of land that were separated from everyone else. My favorite LEGO sets were those modeling pirates marooned on desert islands. I wonder what my childhood self would have thought of living in a town with an uninhabited island at its center?