This post represents a big moment for me: the first image from my new Sony α7R IV. This is only the third serious digital camera; my first was a Nikon D3100, and I’ve been shooting primarily with a D7000 for the past eight years. The capabilities from a decade of technological advancement and the engineering switch to a mirrorless design have pretty-well blown my mind. I really recommend clicking through to Flicker to look at this image at full scale—the tiny pinpricks of each star, the details in the windows of every building. The 61-MP capabilities of the α7R IV maybe be considered overkill by some, but I’m finding it to be the perfect tool for the kinds of “zoom in forever”-detailed photographs that I love to produce.
We were visiting Prague in the off-season—that’s what we heard from every cab driver and waiter. Though gentle spring breezes had been replaced with nascent winter gusts, there were numerous benefits; the relative sparsity of fellow tourists in Old Town made for easy access to the city’s sights. Two of the subtler benefits are captured in this image: (1) the bare branches opened new views of the skyline, and (2) the Smetana hotel (just across the river) where we stayed had a spectacular room overlooking the Vltava open for us.
Every pale streak over the glassy long-exposure water is one of Prague’s gulls. Given the amount of dropped trdelník (with ice cream filling!) available on the ground, they’re enjoying tasty treats on par with the tourists.
While I was a student at Trinity, all of the lighting on campus was from orange sodium vapor lamps. The transition to white LED lighting has made a dramatic shift in the feel of the place at night, but the golden hue of the chapel here provides a little nostalgic taste of the one-time colors of the place.