St. Lawrence’s campus emits white light at night, while Park Street uses orange sodium lamps.
As I did in the past, I captured a time sequence of views of St. Lawrence University’s Payson and Piskor Halls (with the ultimate goal of making a dynamic desktop for macOS.) A steady tripod and a very large lens skirt made this possible.
II: Late Afternoon
IV: Blue Hour
There is more than one statue of Franz Kafka in Prague, but this mirrored head with rotating segments (see the motion blur at the jawline) was the most dramatic I visited. At the time, the head was, naturally, the most surreal aspect of the location. In the present, the crowds of people on the night street (also visible in the reflective base) are perhaps more shocking.
This post represents a big moment for me: the first image from my new Sony α7R IV. This is only the third serious digital camera; my first was a Nikon D3100, and I’ve been shooting primarily with a D7000 for the past eight years. The capabilities from a decade of technological advancement and the engineering switch to a mirrorless design have pretty-well blown my mind. I really recommend clicking through to Flicker to look at this image at full scale—the tiny pinpricks of each star, the details in the windows of every building. The 61-MP capabilities of the α7R IV maybe be considered overkill by some, but I’m finding it to be the perfect tool for the kinds of “zoom in forever”-detailed photographs that I love to produce.
We were visiting Prague in the off-season—that’s what we heard from every cab driver and waiter. Though gentle spring breezes had been replaced with nascent winter gusts, there were numerous benefits; the relative sparsity of fellow tourists in Old Town made for easy access to the city’s sights. Two of the subtler benefits are captured in this image: (1) the bare branches opened new views of the skyline, and (2) the Smetana hotel (just across the river) where we stayed had a spectacular room overlooking the Vltava open for us.