Thanksgiving break meant another trip to Europe (like our previous trips to Paris and Prague)—this time, to Dublin. From atop Guinness’s Gravity Bar, we watched night falling on the city and enjoyed a pint.
Route 11, the main road connecting the whole North Country (we don’t have any Interstates), runs through a series of quaint downtowns, where it temporarily becomes Main St. The impressive stability of the DJI Mini 3 Pro meant that I could capture long, smooth light trails from headlights and taillights representing the evening’s traffic.
I’ll be teaching my first class of the Fall 2022 semester tomorrow morning, so today seemed like the perfect day to reflect on the campus to which I’m returning. The structures amidst the trees sure look good from 100 meters up.
This image also brings up an interesting note on aspect ratios: Since the start of Decaseconds, I’ve largely been formatting my very favorite images in a 1.6:1 (i.e., 16:10) aspect ratio, such that they’d function well as desktops for my various MacBook Pro laptops. The advent of the “notch” and associated added screen real estate means that new MBPs have a 1.547:1 ratio—and thus my favorite images (like this one) are arriving with a new aspect ratio.
A full-scale fireworks display is usually “far away”—over a park or a body of water, perhaps. When St. Lawrence University puts on a fireworks show for graduation, however, the fireworks are right on campus. Imagine watching that show from your dorm-room window!
Seeking to print some images for a tall, narrow section of wall near a window in my office, I realized that I don’t shoot vertically very often. Perhaps that comes from what originally drove my interest in photography—making cooler desktop wallpapers for my computer. I traveled back to 2013 to find a vertical shot that really tickled my fancy (though luckily Adobe’s Super Resolution was up to the task of upsizing for printing.) The warm sodium-vapor-and-neon glow of San Francisco’s Embarcadero (stacked with the Transamerica Pyramid and Coit Tower) are a moment frozen in time, if not least because the switch to LED streetlights is totally changing the hue of an American city at night.