Deep night colors on the snow cliffs contrast with the warm glow of the hotel; this could be an infrared image, mapping the local temperatures.
The composition and content of the photographs brought to mind the works of early/mid-twentieth century naturalists, and I tried to envision what their take on Piper’s work would have been:
Not far from Muir Woods, the Pacific coast cliffs of California are a starker, steeper, and foggier place than I expected. The nearly sheer cliff face, the scraggly trees hanging on for dear life, and the weather- (and person-) beaten railings make the whole place feel mythical. The fog density hit just the right soupiness on this particular day; we could just barely see and hear the waves crashing on the rocks below.
Early in the morning, before another human has arisen, in the fog and rain and the sound of crashing California surf, the cliffs of Marin are strange and alien and haunting. They stagger out of the fog, all stunted shrubs and jagged rocks and decaying 20th century gun emplacements. I’ve always rather fancied the idea that America kept expanding until they reached the end of the continent, where the cliffs and the alien landscape drove us all a bit mad.