A big, dramatic sky after a fresh snow matches the mood of St. Lawrence’s chapel.
This post represents a big moment for me: the first image from my new Sony α7R IV. This is only the third serious digital camera; my first was a Nikon D3100, and I’ve been shooting primarily with a D7000 for the past eight years. The capabilities from a decade of technological advancement and the engineering switch to a mirrorless design have pretty-well blown my mind. I really recommend clicking through to Flicker to look at this image at full scale—the tiny pinpricks of each star, the details in the windows of every building. The 61-MP capabilities of the α7R IV maybe be considered overkill by some, but I’m finding it to be the perfect tool for the kinds of “zoom in forever”-detailed photographs that I love to produce.
While I was a student at Trinity, all of the lighting on campus was from orange sodium vapor lamps. The transition to white LED lighting has made a dramatic shift in the feel of the place at night, but the golden hue of the chapel here provides a little nostalgic taste of the one-time colors of the place.
We returned to Trinity College in Hartford, CT, for Reunion this year. It was a classic reunion setting—back ‘neath the elms, on a perfect summer night. I’ve increasingly found that, rather than being an occasion for excess nostalgia, reunions are a tonic against over-romanticizing college. It takes actually visiting to realize that the location is different from the group of people who were once assembled there.
A whole new point of view on the shadows of Gunnison Chapel across the quad. Much like my last post, I love the intentional alignments of the designs.
When St. Lawrence’s newest dorm, Kirk Douglas Hall, was designed, its dramatic glass bridge was brought into alignment with the Avenue of the Elms and gap between Richardson Hall and Gunnison Chapel. When the sun rises over the North Country landscape, I am drawn to the focused geometry of the landscape. (And glad I awoke to fly my quadcopter.)