Curves Into the Distance

Crossing the American West last winter, I was struck by the profound changes to the landscape affected by large-scale infrastructure programs. Rural electrification resulted in an expectation of electrical availability, and power lines now stretch to the horizon.

Sunset Lines

In much the same way, lines of Interstate highway curve off to the distance, twinned East and West streams.

Twins, East and West

The Old Grid

My favorite cities are those with borders artificially constrained by water (like San Francisco, Hong Kong, or Manhattan), usually leading to towering structures and high density. San Francisco’s situation was different for a long time; a subset of NIMBY residents (alongside an array of other economic factors) meant that this grid of smaller buildings persists, in spite of housing shortages and corresponding high housing prices. As this slowly changes and the city begins to warm to the idea of new development, this uniform grid of little buildings might someday shift.

The Old Grid

Trucks in Their Respective Expanses

Hundreds of miles apart from each other, I happened upon these two images of vehicles, paired with their owners, otherwise alone in an expanse of western America. On a clear day, the yellow pickup in the image below is almost lost in the brush.

Truck in the Expanse

By comparison, this Nevadan Jeep stands out amid the dusting of snow and descending clouds. Even its driver is farther away. The setting is so perfect that it might as well be a Wrangler advertisement.

Jeep + Snow

Chevrolet in Chinatown

This image resulted from the process of demonstrating color filters to my coworker. Colors, with black and white? Of course! The rich, dark sky and bright foreground in this picture result from (digitally) applying a red filter. My favorite part of that now-visible foreground is the large Chevrolet pickup, shoehorned into a parking space on a narrow San Francisco street.

Chevrolet in Chinatown

Bokeh City

That skyline is recognizable, even shrouded behind 200 mm f/2.8 bokeh. Though many people in the Berkeley Hills watched this scene, and though I wasn’t the only one with a camera, the unique light-twisting effect of bokeh means that I’m the only one who captured this pattern and this moment. My favorite details are the individual pieces of grass, bright and sharp against the softness of the Emeryville background.

Bokeh City