HDR Photography
Given the catastrophic cost of real estate at the southern end of Manhattan, a look at the use of rooftop space reveals a sharp contrast: roofs are either lush garden spaces or barren mechanical utility areas. I had expected to see more “in between” spaces among the penthouses—casually or informally used rooftops. I guess nothing spends more than a few hours on a New York rooftop without a reason to be there.
I’d never dare to suggest that an enormous stone staircase in a tourist-focused area of Paris would be a “secret”, but that glowing doorway below street level looks like some secretive club or spy rendez-vous.
When spring shades into summer and the students go home for break, the campus is oddly empty for the best weather it ever sees. The empty dorms feel a bit like the result of a very tidy zombie apocalypse.
My favorite view of the Bay Area (and the view that first let me define the idea of the civilization gradient as an element of my photography) is layered up with loads of detail. Down in Berkeley Lab is the building where I worked on sabbatical, and across the Bay Bridge is the completed Salesforce Tower hiding in the marine layer. The differences, particularly from the last time I showed a very similar shot from the spring, are in nature: the high-altitude clouds have been replaced with empty skies and that rolling marine layer, while the green hills have shifted to a dry, highly flammable tan.
This nineteenth-century water tower in the North Country hamlet of Heuvelton, New York is scheduled for demolition (or disassembly, really) to make way for its modern replacement. In the process of preparing the site, however, it was discovered that the original graveyard that was moved to make room for the tower was, uh, not so thoroughly moved as originally assumed. Now, biological anthropologist Prof. Mindy Pitre and her team are on site (beneath the oak tree) to properly finish the job. I joined her for an afternoon to photodocument the site and its tower before ongoing construction forever alters it.
I’ve been capturing images of Johnson Hall of six years, and though the building itself stays the same, the trees outside have shifted and grown (and some died) over time. Time marches on.
We may be deep within the glowing core of autumn in the Northeast at this moment, but I can’t escape the feeling that spring and its attendant graduation drama is fast approaching. If winter proves deep and dark, that may prove itself to be an illusion.
Days are shortening and skies are hardening and winter is coming.
Though the difference in color temperature between sunlight and indoor lighting may be intuitively understood common knowledge, I’ve rarely seen a picture that so dramatically illustrates the color contrast.
Each tree in the canopy is roughly rotationally symmetrical, resulting in an anisotropic pattern. The sunlight breaks the symmetry and produces this beautiful streak of bright, cadmic yellow.
Though the central glass pyramid of the Louvre gets all the attention, the other pyramids of the Louvre can be just as dramatic (if the perspective is set correctly.)
Though the Musée d’Orsay seems from outside like a fine, upstanding member of Paris’s “traditional architecture” club, its interior reveals some more unconventional aesthetic choices.
Sacré-Cœur sits high on a hill above Paris, and from the top of Tour Montparnasse (Sacré-Cœur architectural polar opposite), the view shows off so many of the city’s famous structures simultaneously: the Musée d’Orsay, the Louvre, the Palais Garnier.
Liberty Island played such a huge role in the media I consumed as a child—the most iconic symbol of New York (far more recognizable to a child than e.g. the Empire State Building)—that seeing it from One World Observatory was surreal.
On this bright Sunday morning, I finally photographed the mighty Manhattan skyline from high above its (mostly) rectilinear grid. This is my favorite kind of photograph: The expanse of cloud-dappled space stretches all the way to tree-covered hills at the horizon and the cityscape seems to offer infinite detail down at the level of individual windows.
Decaseconds 