Hiking through Stone Valley to capture a vibrant sunset over long-exposure-blurred rapids really only works if the sunset shows up for the party. What I found instead was a more quiet and contemplative view of early autumn in the Adirondacks.
ODY in B&W
I recently returned to this shot from 2015 to reprocess the original raw for a calendar of B&W images for St. Lawrence. While it may not have Iwan Baan‘s level of people in the image, the bicycle adds a nice sense of quiet, human scale to the setting.
Little Plants Beneath the Falls
Blue Angels A-4
The new Sony camera and its drastically improved signal:noise meant the opportunity to capture the Aviation Museum of Kentucky freed from the constraints of tripods.
Laurel Falls
Coming face to face with a monster waterfall at the end of a hike brings a refreshing sensation: invisible clouds of cool mist.
Streets of San Francisco Redux
Watching Fireworks from the Beach
Margaux Sunset Clouds
Contemplating Waterfall
It’s a cliché of landscape photography that the huge scale of a landscape can best be conveyed be including a human. Though there is indeed a person in this picture, I think Laurel Falls needs no help. Perhaps that’s because of trail experience to reach it.
Fireworks Beneath the Arc of Heaven
Roots Along the River
Roots draped elegantly over rocks beside a burbling brook create the more-naturally-occurring equivalent of a Japanese garden.
Fireworks Pier View
Island of Wind Turbines
Stone to City
While my normal images capturing the “civilization gradient” tend to be more focused on space (traversing from nature to dense urban areas), I sort of like the way this image reminds me of a traversal through time, from the Stone Age to the Information Age. As William Gibson says, “The future has already arrived—it’s just not very evenly distributed.”
Or perhaps it really just reminds me of the vantage point from Caspar David Friedrich’s “Wanderer above the Sea of Fog“.














