Smooth Water (Finally)

I’ll spoil the double meaning of this title: On the one hand, very literally the waterfall in Stone Valley is ending on the left side of the image and smoother water is in the river’s future. But in a photographic sense, this is an image that I couldn’t previously share because the mist from the waterfalls spotted the lens so badly that the image was hidden behind a layer of dark spots. The improved spot removal tools in present-day Adobe Camera Raw have finally allowed me to effectively get rid of those spots (and I’ve learned some other photographic tricks in the meantime), so this image is ready to face the light of day.

Smooth Water (Finally)

Stone Valley Rückenfigur

A poster of Caspar David Friedrich’s “Wanderer above the Sea of Fog” hung above my bed in college, and I’ve since then developed a love of Rückenfiguren in images. Building from my last post’s theme of self-portraiture, I thought using myself as the POV for an image in Stone Valley might add the right German Romantic vibe.

Stone Valley Rückenfigur

Little Waterfalls in Fall

Earlier this week, I posted an image that used long exposure to contrast textures in a landscape. This image achieves a similar goal, but perhaps with even more drama and structure. The oblique lighting from the blue-hour sky exaggerates the sheets of stone that have been thrust forth from the Earth.

Little Waterfalls in Fall

Above the Waterfall at Sunset

Quadcopter drones give photographers access to all kinds of new angles for shots, but also introduce challenges that did not have to previously be considered. I should have thought in more detail about the orientation of the impressive Lampson Falls—and considered that I wouldn’t be able to get the steep face of the falls and the setting sun in the same shot. I guess I’ll have to get up at dawn for the “proper” version of this picture.

Above the Waterfall at Sunset