I still refer to Canada as “our neighbor to the north,” but Toronto (and indeed the majority of Canadians) live south of America’s North Country.
The “Beaver Moon” is the last full moon in November—the last time in the season, supposedly, when beaver traps could be set at night. How fitting that my first visit to Toronto, Canada occurred on just such a night. The city has a character that seems to be a mix of Vancouver-style modernism and Chicago-style Old City; it was a great reminder of the kinds of HDR shots that first attracted me to the technique to begin with.
The composition and content of the photographs brought to mind the works of early/mid-twentieth century naturalists, and I tried to envision what their take on Piper’s work would have been:
Today’s guest post comes from Dr. Piper Klemm, publisher of The Plaid Horse. Piper is traveling the northern land of Alberta, Canada for the Calgary Stampede. She stopped by Lake Louise, near the border with British Columbia, and home to some incredible views (more to come). This particular moment, with sunlight peaking through the clouds to illuminate a lakeside cabin and the canoes on the right of the image, was too perfect to resist posting.
Visiting nearby Canada means looking at a mirror-version of the United States, reflected across the border. Like looking in a mirror, everything is still recognizable. Up is still up. Down is still down. But the brands and the metric units and the nationalism is different. Does looking in the reflection of Ottawa in the Shaw Centre reverse the transformation?
An added bonus: this is technically a self-portrait, with my tiny self down in the foreground.