Earlier this week, I posted an image that used long exposure to contrast textures in a landscape. This image achieves a similar goal, but perhaps with even more drama and structure. The oblique lighting from the blue-hour sky exaggerates the sheets of stone that have been thrust forth from the Earth.
While my normal images capturing the “civilization gradient” tend to be more focused on space (traversing from nature to dense urban areas), I sort of like the way this image reminds me of a traversal through time, from the Stone Age to the Information Age. As William Gibson says, “The future has already arrived—it’s just not very evenly distributed.”
Or perhaps it really just reminds me of the vantage point from Caspar David Friedrich’s “Wanderer above the Sea of Fog“.
The hike to Laurel Falls brought a mix of sand and stone (and sandstone?) in its geology that differs from the Adirondack settings that I’m most used to. The mixture of geological features and stunted trees in the setting has a calming “natural equivalent of a Japanese garden” quality to it that I really appreciated.
In the weirder hills of the Bay Area, back yard detritus falls alongside stones pulled into position by ancient glaciers.
Returning to Trinity College’s campus for reunion this summer, I felt a little like I was sneaking around in a place I didn’t quite belong. The moon, hiding just behind the chapel’s steeple, seemed to share my bashfulness.
I wasn’t surprised to find a plethora of churches in Paris, but I was surprised by their array of designs. This first example neatly abuts the sidewalk, filling its lot.
By comparison, this next example is set back from the street and exhibits a vertical reflection plane.
This last case has a wholly different geometry and stonework hue. Am I even sure this is a church? Christian imagery appears on so many buildings.
I’ve looked across the Twin Lakes to this odd little stone tower for at least two decades, but have still never traveled over there to figure out what it is. Maybe it will stay mysterious forever.
The rolling limestone hillsides of eastern Kentucky make for lots of stone walls. I’ve also been told that it makes for hard water, good whiskey, and strong bones in horses. I have no data to back up the latter two claims.
Summer hiking in nearby Colton’s Stone Valley is rapidly approaching, and with it, opportunities to see some of our odd (to me) local geology. Those enormous hollows are created by the movement of trapped pestle stones in the rapids water; the scattered evening light reveals their depths.
No stars visible on a cloudy day.
Beyond Sather Tower’s bars and columns is Telegraph Ave. and the city of Oakland. I never forget that view, but I do somehow always forget the red tiles at the top of the campanile. I guess my brain abstracts away the details, even when they’re a major part of the scene.
I always found this random spiral staircase and the centered bamboo topiary to be an interesting fit for the otherwise sober-looking engineering building.
And here’s looking back up (on a different day and from a different direction). The Campanile also figured heavily into my morning (and afternoon) routines, being the signal that I was finally at work and also that I was ready to head home. It’s maybe the most recognizable thing about Berkeley.
Barrels of (basically) moonshine await aging at Woodford Reserve. Do you feel the temptation to just roll one out the door and down the road?