On this through-arch bridge going into Canton from the Adirondacks, I used the Brenizer Method to make a super-wide, narrow-depth-of-field image that brings to mind some slightly sinister movie scene.
Tag: Sunset
North Country Wetlands
Early spring is a great time to be in the North Country—all of the nature, none of the mosquitoes. The latter half of that equation has shifted as we enter July.
Beach Veggies
Florida doesn’t have a monopoly on white beaches, tropical plants, and dramatic sunsets, but it certainly knows how to do a classic beach scene.
North Country Truck I
The North Country has some serious truck-lovers, and that solid sense of Northeastern populism, to boot. The bumper stickers on this particular Ford certainly embrace the North-Country-ish identity.
Leaving Canton
So this is it: Commencement was yesterday, the graduated seniors are gone off to their lives, and my miniature project to document the end of the school year is coming to an end, as well. The seniors graduated, packed, and evacuated in a single hectic afternoon. The strange calm when the dorms are emptied and the cars hit the road and vanish into the distance is what really gets me. (Though, of course, I’m very proud of my students, going out to begin their “real world”/grad school lives.) Over the course of this week, I’m going to translate those thoughts on “moving on” to a few other pictures of cars and trucks that I’ve taken—recently, and in the past. Consider this shot of my Mini as the first in the series.
Behind that car, positioned at the edge of Canton, is a view across the valley—a view of my surroundings that (in its own minor way) mirrors the equivalent shot I took two years ago of my surroundings from that time period. Though less dramatic, the North Country has its own summer vibe going.
The Bay Bridge
There is something dramatic about the bay area around sunset.
Ending on Little River
Friday marked the end of exams, and students and faculty alike celebrated by checking canoes and kayaks out of this little boat house on St. Lawrence’s campus. (If it’s true that our school resembles a ski resort in the winter, it also resembles a summer camp during the warmer months of the year.) Nothing really says the year is done (and grading with it) like floating along in complete relaxation.
Fire Trail and Fire Sky
Fire trails seem like a friendly, common, down-to-earth feature of many California hillsides. There’s a strange context alongside the blazing sky and the busy city in the distance. When I look farther off and see the Golden Gate Bridge and Angel Island, the juxtaposition feels only more emphasized.
But perhaps I like that vision. We build things both grand and humble.
Span Aside
This photograph is a double-case of finding interesting details by looking away from the obvious. On one hand, this subtler image was captured opposite an intense sunset over San Francisco. The color palette is heavy with pastels, but accented with a few harsh reds from Oakland in the distance. In the image itself, there’s a tiny building under the right-hand span of the bridge. Seeing something so (let’s say) adorably sized next to something so dominant and enormous makes for a charming contrast.
Wind Chilled
We went to Ottawa’s Winterlude festival, saw the ice carvings and skating on the canal (more to come)—but mostly, we froze solid.
Sea Rocks
I haven’t been away for more than a couple of months and already I miss the California coast.
Long Walk Aliquot
The last golden photons, their combination of diffuse and specular reflections bouncing from the windows of Trinity College’s Long Walk, are the perfect additions to the final moments of a crisp winter afternoon. This photo captures only a small section of the full stretch of Long Walk, which I still find rather astonishing.
Backyard Ragnörak
The wind blew warm at 45ºF, the rain stopped, the sky cleared, and then a new front blew in bringing -15ºF temperatures and, eventually, a load of snow. Standing in the oddly warm breeze, sun suddenly in my eyes, felt momentous. When I looked at this image, with its huge, Yggdrasil-esque tree and Bifröst-esque rainbow and flair of atoptics, I couldn’t help but think that I had my own backyard version of Ragnarök.
(This post was extra-fun to write because of all the excellent, Nordic umlauts.)
San Francisco Looming
There’s too much unsettling photography out there to limit my Halloween to just a single photograph! The image of a completely dark San Francisco (in the moment between the sun beginning to set and all of the headlights and streetlights turning on), with its specific skyline rising from the mist of the marine layer, just screams “post-apocalyptic cityscape.” Or do I detect a hint of Blade-Runner-esque “California of the Future” in the angles and orange colors? While I’m on the topic of future and past, I have a question:
Do you George Lucas your work?
This photography is one of the first that I ever took with a “real” camera, in the late fall of 2011. The RAW file was sitting quietly on my external storage drive, fallow and ready to live again. In comparing this image with the original approach I took to processing, I see enormous differences and enormous improvements—or at least an evolving artistic sensibility. I’d call this approach “George Lucasing:” going back to old work and updating or improving as my skills improve. And I’m not sure I like that it’s something I should do. Photography captures a moment, and needs a sense of finality. On the other hand, if I am spatially removed from a place (be it San Francisco or South Africa), without the immediate opportunity to return, can this creation be a healthier expression of nostalgia?
Fallfire
When red leaves are backlit, they seem to glow so unbelievably. HDR photography can turn this setting from charming to almost overwhelming.
Decaseconds 