I haven’t been away for more than a couple of months and already I miss the California coast.
Tag: Sunset
Long Walk Aliquot
The last golden photons, their combination of diffuse and specular reflections bouncing from the windows of Trinity College’s Long Walk, are the perfect additions to the final moments of a crisp winter afternoon. This photo captures only a small section of the full stretch of Long Walk, which I still find rather astonishing.
Backyard Ragnörak
The wind blew warm at 45ºF, the rain stopped, the sky cleared, and then a new front blew in bringing -15ºF temperatures and, eventually, a load of snow. Standing in the oddly warm breeze, sun suddenly in my eyes, felt momentous. When I looked at this image, with its huge, Yggdrasil-esque tree and Bifröst-esque rainbow and flair of atoptics, I couldn’t help but think that I had my own backyard version of Ragnarök.
(This post was extra-fun to write because of all the excellent, Nordic umlauts.)
San Francisco Looming
There’s too much unsettling photography out there to limit my Halloween to just a single photograph! The image of a completely dark San Francisco (in the moment between the sun beginning to set and all of the headlights and streetlights turning on), with its specific skyline rising from the mist of the marine layer, just screams “post-apocalyptic cityscape.” Or do I detect a hint of Blade-Runner-esque “California of the Future” in the angles and orange colors? While I’m on the topic of future and past, I have a question:
Do you George Lucas your work?
This photography is one of the first that I ever took with a “real” camera, in the late fall of 2011. The RAW file was sitting quietly on my external storage drive, fallow and ready to live again. In comparing this image with the original approach I took to processing, I see enormous differences and enormous improvements—or at least an evolving artistic sensibility. I’d call this approach “George Lucasing:” going back to old work and updating or improving as my skills improve. And I’m not sure I like that it’s something I should do. Photography captures a moment, and needs a sense of finality. On the other hand, if I am spatially removed from a place (be it San Francisco or South Africa), without the immediate opportunity to return, can this creation be a healthier expression of nostalgia?
Fallfire
When red leaves are backlit, they seem to glow so unbelievably. HDR photography can turn this setting from charming to almost overwhelming.
Sunset in the Pearl District
Even if the architecture is a bit newer than I prefer, my eyes still open a little wider and my knees get a bit wobbly and my camera springs into action whenever I find myself above urban rooftops.
Resilient House
The North Country is green and lush at this moment, but it’s worthwhile to look back on the recently-thawed saltscape that was spring. I still feel a certain sense of amazement at the number of fierce winters homes like this have survived.
Old Barn, New Summer
When barns are no longer needed, they so rarely seem to be torn down. Rather, they sink slowly back into the earth, like tree stumps. New life is bursting forth around an old barn, and it does start to seem like just another feature of the natural landscape.
It’s been strange to see the degree to which the seasons and cycles of the Northeast have started to influence my photography. I don’t know that I thought as much about the passage of time and the seasons when I was in California with its nearly-unchanging conditions (pick between rainy or dry, but that’s about it.) Doing landscape photography in a place with drastic seasonal swings makes me more aware of them than ever before.
Deer Play
That perfect, after-dinner dusk moment: the deer (and the bugs) are out to play, and everything is quiet in the last un-Rayleigh-scattered rays of sunlight. Among the weathered fenceposts and glacier-carved rocks, deer are out to play. I’m interested by the idea that children play, and animals play, but the idea of “play” as something that adult humans do takes on a different meaning in the context of adult human culture. The concept of responsibility brings with it a parallel idea that to play is to behave irresponsibly, doesn’t it?
But don’t dwell on that. The sunset is enchanting and the deer are having fun. I will, too.
Sunset and Lazy River
When I discuss HDR photography, I usually borrow the words of Trey Ratcliff and the idea of better capturing a scene as the human mind perceives it. In the case of this particular sunset over the Grasse River (the North Country at its prettiest), however, I feel like HDR has captured even more than my eye could perceive at the moment I took the picture. This is not only because of the increased dynamic range, but also the resulting detail in the trees by the bank and in the wee islands and rocks. I was too distracted by the intensity of the sun when I took the original image to spend time on the details of the scene, but now I’m glad to be able to look back to those details to really place myself in that moment.
A Break for Infrastructure
Forests and farms and “small”/”close” settings seem so common in the North Country; when the landscape opens to reveal wide bands of high-voltage lines amid the trees and streams, I’m always a bit surprised.
Summer Sunset Farm
On the quiet and winter-crushed roads outside of town, the density of nuclear mosquitoes skyrockets when summer finally arrives. Standing on the edge of a glacier-scared field, under the dome of clouds, and watching the thermonuclear fireball of our star vanish over the horizon, it’s easy to feel small. But if science allows me to understand these phenomena and my place in the world, the nature of what an image of that world means changes.
Halloween in April
There’s something about a red sky and an abandoned house that seems creepy and Halloween-esque, even when it’s April. Maybe it’s another case of Canton’s Lynchian vibes.
Snow Is Gone
Spring is late to the North Country, and though the snow is gone and the homes have (mostly) survived, plant life hasn’t yet surpassed the “first hints of green grass” level. There’s nonetheless a certain crunchy, dusty beauty to the sunset now—one that is nicely offset by the glossy reflections from window panes.
Sun Pillar
On those special nights, when ice crystals align correctly in the atmosphere, atmospheric optics get a bit crazy and a sun pillar like the one here appears.
Though, to be honest, even the Rayleigh scattering that makes the sky blue is crazy to begin with. The strange behavior of light and matter (thanks, Richard Feynman!) never ceases to amaze me.
Decaseconds 