I’ve developed some odd tradition for epic landscape photography at the end of major holidays (as in this Christmas image)—perhaps it’s something about wanting the day to last forever.
Describing city streets as canyons is, at this point, a cliché, but that doesn’t mean that an image of San Francisco can’t be perfectly canyon-evoking.
When I was young, I thought the most unrealistic aspect of chase scenes through San Francisco was the car suspensions surviving jumps off the steep hills. As an adult, I’m not so sure that the lack of traffic isn’t the real winner.
The grayness of Chicago-area sprawl takes on a golden hue at sunset.
Prague’s Old Town has maintained a lot of its historic character (in part due to surviving WWII relatively unscathed), but that means that modern vehicle and pedestrian traffic are folded in on top of one another.
Jiráskův Most over the Vltava River touches old town at the site of the glowing Dancing House, the “only new building in Old Town,” I’m told. At night, the juxtaposition with the rectilinear older forms starts to grow on me.
I sometimes reprocess older pictures when I find some new approach or something special in an image that wasn’t there before. This picture is a bit different—though I captured it at this time seven years ago, I found that I felt no urge to reprocess any part of it. I was happy with it then—though apparently not enough to post it until now—and I’m impressed with it today.
Since moving from places like Hartford and Oakland to Small Town America, I will admit that I’ve become a bit spoiled when it comes to traffic. Anything less than an open road now feels like a traffic jam. The reality turns out to be just a little different.
Can a building hide? Or surprise? Or sneak?
The Empire State Building, hiding at the other end of 34th St. in Manhattan, seems to support the possibility. The canonical modern New York street scene, one of luxury cars stuck in traffic and smoke from cooking street meat and old industrial buildings being converted into high-end condos, can still surprise. One step away is another scene built of different buildings and people in view.
Rainy nights on the interstates are threatening, and few sights represent that better than the aligned brake lights of 18-wheelers, glaring out between the raindrops.