HDR Photography
Moving to downtown Hartford, Connecticut placed this view just outside my window. I used to look across the city to Travelers Tower (the illuminated building at right) from my dorm room at Trinity College; 15 years later, I realize it shone like a beacon because it was being actively lit from nearby rooftops. Perhaps that’s a good lesson for life: the achievements that stand out don’t do so by accident, but because of conscious effort.
Interstates may seem a natural part of the American landscape, but the drone’s-eye view reveals the truth of how highways were laid atop the earlier landscape. I like the convergence of the headlights along both the country road and I-64, like two different eras running to a shared future.
Equus Run Vineyard holds summer concerts, using the ample space available among the vines.
Our little cottage is across the street; after listening to the concert, we got a secondary show watching concertgoers depart.
Legend Mary Chapin Carpenter was playing, so the line continued for quite a while.
Colton, New York’s hydroelectric dam brings together dark, deep, deceptively passive water on one side and a raging torrent on the other. It’s perhaps a useful metaphor for the experience of preparing to leave a place one has lived for a decade. Visiting sites like this is also a reminder that sometimes I avoid exploring the interesting places near me until I’m preparing to leave the area; something analogous happened near the end of my sabbatical.
I guess I’m still discovering new tricks up the DJI Mini 3 Pro’s sleeve. I’ve never managed to create a panorama (much less one looking up) from drone images before, but this massive shot of the sunset over the San Jacinto Mountains has changed all of that. The pink clouds arc above and the Empire Polo Club (home of the Coachella Music and Arts Festival) spreads across the foreground.
(You’ll definitely want to click through for full resolution on this one.)
I upload pictures to be future Decaseconds posts as I find images I think are worthy. (Only the best for my readers.) During most of the year, a three-photographs-per-week pace keeps up with my new acquisitions. This fall, however, was a time of plenty, powered by my DJI Mini 3 Pro’s incredible range and low-light image quality. To keep up with demand necessitates a triple-play today.
Three views of Canton, New York begin with this image over the Grasse River, with islands in the foreground and SUNY Canton in the distance.
Farther south, St. Lawrence University’s campus is lit up for the evening.
And the quad by Kirk Douglas Hall looks warm and inviting. (It’s currently beneath a layer snow.)
Autumn went by quickly this year; the thermodynamic realities outside my door make clear that the adaptations of the North Country trees aren’t coming any too soon.
Park Street might have been named for a different park (the one up the street), but the glow of St. Lawrence’s campus at night (the reverse view of this shot) has a delightful Central Park vibe that matches the street name well.
One of St. Lawrence’s monikers is “A Candle in the Wilderness,” and this drone shot of the bright campus with the dark forests beyond explains the name.
Over the course of the past few years, Canton’s park fountain has been graciously renovated and restored. The aerial view of the fountain at the lower edge of today’s image is nicely highlighted by the light streaks of passing vehicles.
Atop forested cliffs, the view to the porch and dock of Mohonk Mountain House has a “child’s treehouse” quality that matches well with the magical feeling of the place.
Route 11, the main road connecting the whole North Country (we don’t have any Interstates), runs through a series of quaint downtowns, where it temporarily becomes Main St. The impressive stability of the DJI Mini 3 Pro meant that I could capture long, smooth light trails from headlights and taillights representing the evening’s traffic.
I’ll be teaching my first class of the Fall 2022 semester tomorrow morning, so today seemed like the perfect day to reflect on the campus to which I’m returning. The structures amidst the trees sure look good from 100 meters up.
This image also brings up an interesting note on aspect ratios: Since the start of Decaseconds, I’ve largely been formatting my very favorite images in a 1.6:1 (i.e., 16:10) aspect ratio, such that they’d function well as desktops for my various MacBook Pro laptops. The advent of the “notch” and associated added screen real estate means that new MBPs have a 1.547:1 ratio—and thus my favorite images (like this one) are arriving with a new aspect ratio.
The opposite side of Equus Run (in both space and time) from Friday’s post finds a concert letting out and light trails along the normally empty Moores Mill Road.
Our July/August home-away-from-home in Kentucky is a farm cottage on a tiny, quiet country road… Well, quiet most nights. On this particular evening, a concert had just let out at the vineyard across the road and a sudden blast of vehicles added some passers-by to our neighborhood.
Decaseconds 