Hearst: Inside and Out

Today is a rare double-post, featuring my favorite structure on Berkeley’s campus: the Hearst Memorial Mining Building. This beaux-arts-style hall was finished in the early 20th century, and I find it particularly notable for two reasons (beyond just being aesthetically pleasing):

1. The interior atrium reminds me of the Bradbury building, and I get a fantastic cyberpunky (see Blade Runner)/steampunky (see Steamboy) tingle every time I step through the doors.

2. The building was updated in a seismic retrofit from 1998-2003, yet is still just as gorgeous as ever. This is a case of a putting a lot of effort into saving a building that is worth saving, and doing it in a way that doesn’t obliterate the elements of the building that were so appealing to begin with.

Hearst Edifice

Just pass those enormous, varnished wood doors is this stunning atrium. Today, I’m showing only a small part of it. Come Friday, I’ll offer a wider view of the space.

Hearst-punk

Big Science Moon

This was the scene over the Berkeley hills last week, as a massive full moon rose over Lawrence Berkeley National Lab. You could practically hear scientists howling, but I suspect that was more because their experiments weren’t working than because they were werewolves.

Given all of the processing that goes into producing an HDR image, I can’t exactly say that this image “hasn’t been Photoshopped.” When you get right down to it, every single image receives some sort of post-processing, even if it’s just to bump up the contrast. What I can say, however, is that the size of the Moon has not been artificially enhanced. Our celestial cousin really was that gorgeous and enormous on this particular evening.

Big Science Moon

Sunday Special Guest Post: Ponies and Balloons!

Today’s photograph comes courtesy of Dr. Piper Klemm.

Decaseconds has seen photographs of the surreal desert landscape of Thermal before, but Piper took this picture that represents the real spirit of the place. Fancy riding clothes, beautiful ponies, and random hot air balloons drifting over the landscape. Just lovely.

Ponies and Balloons!

Power Out: Scene of the Crash

I live above a four-way intersection, and see three or four big crashes a year—typically from drunk drivers who run the red light. This particular night, however, saw insanity in the intersection due to a multi-hour power outage. The normally orange-hued nighttime tarmac was, on this night, lit only by headlights, emergency flashers, and road flares. It was all very strange, very surreal, and the perfect subject for a photograph.

Power Out: Scene of the Crash

Our Own Gold

The water practically glows with reflected light. The buildings tower over the scene. The long exposure captures the trails of aircraft in the night sky. San Francisco’s waterfront along the Embarcadero may not have the most enormous and prestigious structures, but nights like this make that irrelevant. The scene makes “enigmatic” and “cyberpunky” into something almost friendly. (Or at least inviting.)

High atop it all is that fascinating golden penthouse structure. The visual similarity to a treasure chest must be more than coincidence.

Our Own Gold

Sinister Ginko

The days just after Thanksgiving hold still, quiet moments; the early morning fog was thick, viscous, and sinister as the fairy tale stuff. The poisonous-looking red berries, the gnarled tree limbs, and the mysterious lamposts all seem plucked from the forests of Fillory. The somewhat shallow depth of field makes it particularly surreal.

Sinister Ginko

Bokeh Bus

The bus is inherently uncomfortable: the seats are too hard, the surfaces feel like too many other people have touched them, and the other passengers come with a side of freaky west coast aggression. All of that misery is forgotten late at night; an empty bus ferrying me home is such a calm respite from the sodium-lamp misery of the outside world.

Bokeh Bus

Effusion Cell II

This is another photograph from a lab in the Charles Harris Group at UC Berkeley. I previously photographed this effusion cell apparatus from an orthogonal orientation, but I also found this shot at its long axis intriguing. The sense of complexity and purpose, but also the sense of aesthetic minimalism, always attracts me to physics apparatuses.

Effusion Cell II