Power Out: Scene of the Crash

I live above a four-way intersection, and see three or four big crashes a year—typically from drunk drivers who run the red light. This particular night, however, saw insanity in the intersection due to a multi-hour power outage. The normally orange-hued nighttime tarmac was, on this night, lit only by headlights, emergency flashers, and road flares. It was all very strange, very surreal, and the perfect subject for a photograph.

Power Out: Scene of the Crash

Our Own Gold

The water practically glows with reflected light. The buildings tower over the scene. The long exposure captures the trails of aircraft in the night sky. San Francisco’s waterfront along the Embarcadero may not have the most enormous and prestigious structures, but nights like this make that irrelevant. The scene makes “enigmatic” and “cyberpunky” into something almost friendly. (Or at least inviting.)

High atop it all is that fascinating golden penthouse structure. The visual similarity to a treasure chest must be more than coincidence.

Our Own Gold

Sinister Ginko

The days just after Thanksgiving hold still, quiet moments; the early morning fog was thick, viscous, and sinister as the fairy tale stuff. The poisonous-looking red berries, the gnarled tree limbs, and the mysterious lamposts all seem plucked from the forests of Fillory. The somewhat shallow depth of field makes it particularly surreal.

Sinister Ginko

Bokeh Bus

The bus is inherently uncomfortable: the seats are too hard, the surfaces feel like too many other people have touched them, and the other passengers come with a side of freaky west coast aggression. All of that misery is forgotten late at night; an empty bus ferrying me home is such a calm respite from the sodium-lamp misery of the outside world.

Bokeh Bus

Effusion Cell II

This is another photograph from a lab in the Charles Harris Group at UC Berkeley. I previously photographed this effusion cell apparatus from an orthogonal orientation, but I also found this shot at its long axis intriguing. The sense of complexity and purpose, but also the sense of aesthetic minimalism, always attracts me to physics apparatuses.

Effusion Cell II

Gold and Green

Wine country in the fall is a little slice of heaven. The rain had passed, the last of the fogs and cloud were rolling past the distant hills, and the golden vines are drifting into hibernation for the colder season. Perhaps vineyards are the best combination of the sophisticated and the bucolic. If nothing else, the slightly artificial reality of Napa contrasts starkly with the slightly artificial urbanity of Berkeley.

Gold and Green