There’s a sunset balance point when the intensity of San Francisco’s city lights precisely match the intensity of the light remaining in the sky. When those photons are in equal proportion, even a busy city can look oddly peaceful.
Tag: Night
That Was Home
Arriving at the one-year anniversary of the end of my sabbatical time in Berkeley, I’ve also reached the end of processing pictures that I took while I was there—though many more will be posted in the future. Our apartment was on the second flood of this build, where the screen of the same laptop on which I’m currently typing lights up the bottom-right corner of the window and the narrow slit of dark windows were over the kitchen sink where I’d cook dinner.
San Francisco of the Future
At the right time of day and with the right hints of weather, San Francisco looks extra futuristic. Home to the tech industry, I think the city usually merits the descriptor.
First-Order Castle Approximation
There are no crenelations, gates, or moats; this is not a place to hold off an invading force. Nonetheless, the châteauesque architecture of Berkeley’s Normandy Village seems like it could fairly be called a castle, filtered through generations of repeating architectural patterns. With each generation, the style moves farther from the functional reasons for its original existence.
On a Log, Watching the Bridge
From the graffitied logs of Berkeley’s Grizzly Peak, the Bay Bridge and San Francisco make for an incredible view—when they’re visible. The dramatic high clouds of winter are replaced by an all-shrouding marine layer in the summer that often turns the peak into a cloud bank. On the lucky nights when the marine layer is delayed, the bridge and city lights have a moment to shine before the blanket falls.
End of the Blue Hour: San Francisco
A history of design and engineering is visible from the Marin Headlands in the Golden Gate Bridge and San Francisco beyond it. That’s visible at every hour of the day, so I must conclude that the people jamming the roads earlier on the evening of this image were mostly there for the combination effect with the sunset. As the crowds decamped for dinner elsewhere, the blue hour brought my favorite views of the city.
Last Nights in the Normandy Village
The end of sabbatical meant saying “goodbye” to the Normandy Village and its quaint weirdness. I’ll always remember them as my collaborator described them: “The little Hansel and Gretel houses.”
Mohonk Gold and Blue
Deep night colors on the snow cliffs contrast with the warm glow of the hotel; this could be an infrared image, mapping the local temperatures.
Post-Storm Dorm
The oldest buildings on St. Lawrence’s campus have seen their share of winter storms (particularly these frustrating, wet-snow-in-March varieties), and always seem to be at their most comfortable under a coat of snow.
Portrait of Oakland at Midsummer
The Oakland skyline looks warm and friendly on a clear night in the summer, but I have to suspect that a quick blast of marine layer might be just around the corner to shift that thermal distribution.
Where the Cars Sleep
Given the extraordinary nature of the Normandy Village, “regular” cars seem oddly out of place. Perhaps that in part because the average car has grown so significantly in size since the little bays of the village were built.
Sunset on Cedar Street
I never thought much of Berkeley’s Cedar Street during my time in graduate school, but returning for sabbatical brought me a very different connection with it. Cedar functioned as the main connection from my apartment on Spruce to Shattuck’s Gourmet Ghetto, and so I traveled it for every purpose from getting coffee and groceries to an extravagant dinner at Chez Panisse.
Bay Clouds
So many of my summer pictures in from the Bay Area face downwards because the skies are either clear or marine-layer-obscured. This was one of the rare evenings with an amazing sky of deep blues and magentas above the Berkeley Hills.
Peak View
Cityscapes function best with depth: layers of structures and pathways for the eye. The Bay Area view from Grizzly Peak was one of the earliest cityscapes I experimented with photographing. In those early times, it was Berkeley and San Francisco in the distance that most interested me; after my sabbatical at Berkeley Lab, the winding roads where I rode the bus to work and the bright shapes of the Molecular Foundry and JCAP in the foreground hold my interest far more. I enjoy the way in which subsequent experiences can retroactively shift the meaning in an image.
Sailboats 3-2-1
After a week doing science on a hilltop, I would sometimes sneak out of work just a minute early* and head across the Bay to Tiburon to watch the Corinthian Yacht Club’s Friday night sailboat racing. The lack of spinnakers implies to me that it’s a pretty friendly race, but it’s nonetheless a great way to end the workweek.
*Though early by my standards is “regular” to most folks, I suspect.
Decaseconds 