Tag: California

A Trip Back to Berkeley on the First Day with a New Camera

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Scenery of Berkeley’s campus from Oppenheimer had me looking back again to my RAW files (as I’ve done recently) and finding exceptional images that benefited from my evolution in processing skills over the past decade. This particular December 2012 day marked my first walk to work with my then-new Nikon D7000, and so it was a moment in which I was viewing my quotidian surroundings through a literal new lens.

The light shining down on the little bridge over Strawberry Creek to the Faculty Club, for example, is a far more interesting image to me as a memory than it was at the moment I first processed these in 2012.

Quiet Bridge on Busy Campus

Quiet monuments, dappled by sunshine, feel different from a decade away.

Base of the Campanile

Big, dramatic, and green are the themes of this bridge.

Concrete Bridge and Arch

I was struck by how many portrait-orientation shots I had initially bypassed. The curving stairs in front of Latimer Hall always looked charming beneath late-autumn foliage.

Tree Over Stairs

These stairs down to Hildebrand Hall’s D Level were my typical path to my office. They were about as intimidating in real life as they look in this picture—squeeze between the edges of different intersecting buildings and utilities pass-throughs.

Stairs to the D Level

Leaving again at the end of the day, the afternoon sun on Latimer’s facade is starting to shift to an oranger hue.

Evening Light on Latimer

The trip past the architecture school wasn’t one I typically made by 2012 (I moved from an apartment south of campus to one on the west side), but the light on its concrete architecture wasn’t to be missed.

Gold Light on Architecture School

Zenda Drive at Dawn

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Though a photographer might briefly visit many locations, actually staying in a location means being present at the moment when the light is just right. In this case, sunrise pouring into Coachella Valley lights up the mountainsides and the rooftops, but not yet the valley floor itself.

Zenda Drive at Dawn

Being there to capture the sunrise picture is great, of course, but being on location in this case also meant being able to follow it up with a sunrise dip in the hot tub.

Hot Tub at Dawn

Interruptions in the Coachella Valley Array

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The dry seabed that is Coachella Valley provides a very flat surface for construction; as a result, modern constructions mostly fall on whatever pattern/array is convenient to the developers. In a few places, however, interruptions in those arrays stand out in an aerial view.

The palms on this golf course, for example, are on a clear grid, with the fairways and greens cut into it. Was this a palm plantation before the course was build?

Golf Course Amid the Palm Grid

Here, the green lawn of a larger home stands out, covering multiple grid positions, while neighboring homes cluster into smaller, more regularly arrayed lots.

Walled Keep

Though this subdivision isn’t itself on a grid, the clubhouse nonetheless interrupts the pattern.

Trilogy Clubhouse

How Did I Miss These?

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A post came on social media from more than 11 years ago reminded me of trips around the Bay Area; comparing my RAW files with the images I ultimately posted to Decaseconds originally left me asking, “How did I miss these?”

In past cases of reprocessing pictures, I took another approach to images I already knew were solid. This first image today, boat sailing near Point Bonita lighthouse north of San Francisco, is in a whole different category: I hadn’t remember that I’d taken the image at all.

Two Sailboats and Point Bonita

The occasion was a trip to the Legion of Honor and Lincoln Park. Back then, not a single picture made it to Decaseconds. Many of the images from that day suffered from issues that I know how to correct now, but didn’t yet have the tools to conquer in early 2012.

New Year's Day in Lincoln Park

These pictures from a trip to Treasure Island to shoot the San Francisco skyline are likewise mystifying. I posted only a single picture from that trip.

Skyline as It Was

The old and new spans of the Bay Bridge, side-by-side, is a literally now-unseeable image.

When There Were Two

Though a lot of posts came of our trip to the Marin Headlands to shoot the Golden Gate Bridge, this more natural shot of the rocky coastline (those little black dots are sea birds) has its own kind of large-scale glory.

Pacific Hits the Headlands

Of course, a trip back through my photography in the Bay Area wouldn’t be complete without a shot of the Golden Gate Bridge that I previously ignored.

Untitled: Golden Gate Bridge

Big Buildings and Little Ones

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Trinity College Dublin’s campanile was the subject of my last post, but today I’ll bring it back to one I know a bit better. This photograph is another from my series of Berkeley pictures that I’m only now able to reveal with improvements in noise reduction technology. The effect of seeing this “lost” image recovered has me wondering what other moments—

Big Buildings and Little Ones

Eucalyptus Trails

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Why save RAW camera outputs from (in this case) six years ago? Digital photography is a rapidly advancing field, and the advent of machine-learning-based noise reduction techniques has completely changed what sorts of images are salvageable. This lovely shot of Berkeley’s fire trails and tall (but invasive) eucalyptus trees stayed in the “unusable” pile for half a decade because I took it freehand, just after sunset, before I deployed my tripod—resulting in an ISO 4500 image from my old D7000 that was just too noisy. Topaz’s latest filters solved that and now this photo can take me back to my California sabbatical.

Eucalyptus Trails