The slow disappearance of the Salton Sea has moved dramatic art pieces, like this tetrahedron that once rose mysteriously from the water, onto a broad expanse of beach where some of their magic evaporates with the sea.
HDR Photography
The slow disappearance of the Salton Sea has moved dramatic art pieces, like this tetrahedron that once rose mysteriously from the water, onto a broad expanse of beach where some of their magic evaporates with the sea.
A muddy but vibrantly colored cafe space outside of the Moco Museum in Amsteram looks a bit like a matte painting for some Miyazaki-esque anime adventure.
A bird’s eye view can shrink the impact of many human-made objects, but Calder’s “Stegosaurus” (1973) jumps from the foreground not only not only for its color, but also for the way in which it breaks the symmetry of the square in front of Hartford’s City Hall.
The reclaiming of Kilmainham Gaol for some better use than supporting English imperialism has included its use in a variety of artistic projects. Those include the location for various films (more on that in an upcoming post), as well as for art installations like this odd twig sphere inside a cell.
This shadow-of-a-hypercube sculpture is pretty enormous, but the sense of space and structure changes when view from a drone floating above.
Today, a completely different view of the tetrahedral sculpture at Bombay Beach that I’ve showcased previously. I really find this thing fascinating; placing it in greater landscape context takes away none of its surreal presence.
Dream-logic usually stays confined to dreams, but this swing in the Salton Sea appears fully isolated and separated from reality (while still existing within it); I’m reminded of an extremely low-rent version of Itsukushima Shrine.