HDR Photography
Night-flying for long-exposure photography seems to rely a lot on luck: How’s the wind? How’s the weather? That’s a lot to consider, but the superhuman perspective (even if it is occasionally a bit blurry) is worth it. I love the times of day when the brightness of building lights and the brightness of the setting sun match each other in intensity.
Heating up and then slowly cooling a material anneals it, softening the material by allowing the crystal structure to reform to an optimal geometry. Annealing at the correct temperature for a metal produces a characteristic color—often a dull, cherry red like the edges of this sunset. After baking in the hot sun all day, the St. Lawrence University and the North Country are probably feeling lower in energy and ready to relax their geometries, too.
Piper‘s trip to Alberta, Canada led to some incredible images of Lake Louise. The scale of the setting is almost incomprehensible—except for the tiny canoes by the shoreline.
The composition and content of the photographs brought to mind the works of early/mid-twentieth century naturalists, and I tried to envision what their take on Piper’s work would have been:
I’ve shown you St. Lawrence University’s zen garden in the past, but never from above. Down in the middle of Sykes Hall, in front of the clock tower, you can see a hint of raked gravel and carefully cut grass. I’m not sure I ever appreciated how many trees we have until I started flying.
After playing at low altitudes, I upgraded to a DJI Phantom 3 Advanced last week. This quadcopter can stay stationary in the night sky—like, “long exposures look good” stationary. I’m looking forward to exploring what the little flying robot can do.
New York’s is a collision of infrastructure from past, present, and future. That’s a cliché by now, but I still enjoy experiencing it firsthand. Here are all three eras connected in one image:
I would retire to this part of the world in a heartbeat. Nothing like it.
Captured in one image: St. Lawrence’s oldest building, Richardson Hall, and its newest, Kirk Douglas Hall.
An almost-island was hiding in the background of this photograph of Stone Valley. Most of my childhood adventures involved sorties from some kind of tree-based fortress; this formation silhouetted against the setting sun reminded me of those adventures. Or maybe just the fort from a particular film. (Even it’s neither truly secret, nor a fort.)
It’s hard to imagine a time before flight, but at the same time flight itself feels really miraculous.
Since moving from places like Hartford and Oakland to Small Town America, I will admit that I’ve become a bit spoiled when it comes to traffic. Anything less than an open road now feels like a traffic jam. The reality turns out to be just a little different.
The shots turned out pretty well, despite the fact that I forgot my quick release mounting plate this particular day.
When chemists study water, the molecular-level view offers a lot to consider. Bulk water takes on two fluid phases and seventeen (depending on who you ask) solid phases, from a physical scientist’s perspective. That’s my normal mindset. Even when I see liquid water in a photography, however, I’m astonished to see wispy white tendrils and glassy surfaces that are all created by reflection and scattering from the same material.
